On Tuesday night, I was trespassed from, or more accurately (and more irritatingly) shooed out of a TBA art installation for overinteracting. I had made two previous visits to Ohad Meromi’s Rehearsal Sculpture, Act II: Consumption on the...
Here’s a disclaimer before I get started. I auditioned for the installation component of this show back in July and didn’t get in. Not that I have any hard feelings — the audition itself was a fascinating experience. I’ve...
Ambiguity is one of the most powerful tools performers are using to draw us into their work. In the case of Japan’s Offsite Dance Project, uncertainty dictated everything the audience did, starting with when we gathered into the Olympic Mills...
I had no idea what to expect from Fin de Siècle by Portland composer Sarah Dougher. The show turned out to be unlike anything else I’ve experienced in all of my five years attending the TBA Festival. Dougher’s performance was described...
As of Day 9 of TBA, I’m tentatively awarding Michael Reinsch’s Gallery Walk “Best in Show.” Reinsch’s performance involves him lumbering about the city in a big white box, embodying the construct of the modern white...
September 16th, 2011 – Pioneer Square Courthouse, Portland, OR MusicfestNW is a festival unlike most festivals, because most of it takes place indoors. Within the past few years, the good curators have added a stage in downtown Portland, or as...
Andrew Dinwiddie has meticulously recreated a live sermon by the evangelist preacher Jimmy Swaggart, recorded in Van Buren, Arkansas, circa 1971. In a remarkably fluent echo of the original (peppered with emphatic interjections, “Huh!”)...
September 15th, 2011 – Rotture, Portland, OR After sleepwalking through a night and a half of slick, mismatched suburban rock of MusicfestNW, the scent G-funk spilled forth through the weathered slabs of inner SE’s Rotture was like blood...