In 2020, following the passing of independent filmmaker Lynn Shelton (Sword of Trust, Laggies, Humpday), Duplass Brothers Productions and Seattle’s Northwest Film Forum announced the Lynn Shelton “Of a Certain Age” Grant. 2022...
A project unlike any other, Changer: A Hand Telling, is a shapeshifter which has taken on many forms. First conceptualized by Native artists Fern Naomi Renville (Sisseton Wahpeton Oyate) and Roger Fernandes (Lower Elwha S’Klallam, Makah) as a...
Terence Nance and I leapfrog through time and space. Numerous missed connections and mutual schedule misalignments occur until — two weeks later — we finally manage to get on the phone to speak about Nance’s new record, V O R T E X...
When Sarah, a no-nonsense molecular biologist at Columbia University, receives a call informing her of her mother’s death, her default response is denial. “There must be some sort of mistake,” she says. As the protagonist of Queen...
When documentary filmmaker Tzewoon Chan began making his genre-bending film Blue Island 憂鬱之島 (2022) in 2017, Hong Kong was between social movements. Coming out of a previous project, Yellowing (2016), which explored the explosive 2014 pro-democracy...
Waiting for the Carnival (2019), an engrossing documentary by Brazilian filmmaker Marcelo Gomes, opens with a swath of billboards set against a stark landscape. Showcasing models in skin-tight blue jeans, the billboards welcome the viewer to...
Tracing the last century of Kauai’s history and its representation in film, Anthony Banua-Simon’s documentary, Cane Fire (2021), begins with a mystery: what happened to the never-released romance White Heat (1934)? White Heat was the first...
For many Seattleites, Aurora Avenue has for years been synonymous with prostitution, drug trafficking, and general urban decay. For those unfamiliar with the region, it’s a stretch of Highway 99 running from the city’s north to south...