Alternatingly celebratory and apocalyptic, moon Over miami — a collaborative album curated by Archival Feedback, a long-time duo consisting of Emile Milgrim and T. Wheeler Castillo — subverts the old standard of the same name with a...
For centuries, witchcraft has been the sign and symbol of subversive and liminal pathways in life and art; the focal point of cultural anxieties and repressed dreams. Lately, the aesthetics of witchiness have enjoyed a major resurgence. Showing up...
Catharsis — the expression and venting of powerfully felt emotions thru intense artistic practice — is the fundamental principle of great drama, and the focus of Giek_1's EP, Escape. The titular escape resonates on many levels: the artist's past...
On March 15, 2015, the Washington Post published a typically buzzworthy article titled, “Is the Internet Giving Us All ADHD?”. The article begins with the usual litany of start-of-days, most likely familiar to anyone who works at a desk...
Strangers, Marissa Nadler’s second record for Brooklyn-based Scared Bones and seventh overall, mixes elements both familiar and unfamiliar to create an uneven, but often rewarding listen. As with the best of her prior work, the songs that hit...
In reviews for Kikagaku Moyo’s House in the Tall Grass, some have implied that the Japanese psych folk up-and-comers are simply rehashing old ground. Consider a sentence from Danny Riley of The Quietus, who writes, “The problem comes...
Following Junior Boys’ world tour for their 2011 record, It’s All True, Jeremy Greenspan was exhausted, burnt out, and questioning everything. Looking for something fresh and exciting to put his energy into — and without the weight...
Though such a struggle may have only existed in some people’s minds, if there was one between digital and analog music recording and creation, there’s no question that digital came out on top without ever even having to dig a trench...