Oh, North Korea. The mechanics of filmmaking are lost upon you, are they not? You may have read about it — which is why you probably attempted to control the script of Under The Sun and escorted the filmmakers to a number of pre-determined...
“I had a big manifesto of ‘no’s’ at the beginning, [of things] that I didn’t want to do.” As a composer, violinist, and multi-instrumentalist, Christopher Tignor has, since the early ’00s, led the New York...
On March 15, 2015, the Washington Post published a typically buzzworthy article titled, “Is the Internet Giving Us All ADHD?”. The article begins with the usual litany of start-of-days, most likely familiar to anyone who works at a desk...
Strangers, Marissa Nadler’s second record for Brooklyn-based Scared Bones and seventh overall, mixes elements both familiar and unfamiliar to create an uneven, but often rewarding listen. As with the best of her prior work, the songs that hit...
Eight years into its existence, Northside Festival is determinedly future-minded. Dividing itself into thirds, the NYC festival has two- and three-day stretches dedicated to “innovation” and “content”. The other third —...
Another year has come and gone for the Seattle International Film Festival, and this year, our top selections include a lot of black comedies and films that capture the power of human emotion, in all of its positive and negative facets. Here are...