With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You'd be well-served to check out every single record here.
Seattle’s 11th annual Decibel Festival is quickly approaching, which means it’s time to start the agonizing process of picking and choosing amongst the myriad of showcases, Optical shows, After-Hours, conference workshops, and boat parties the festival has to offer. There are shows and conference activities offered up to 19 hours...
As it is every year around this time of year, the music party that needs no introduction is upon us. For SXSW 2013, in addition to our own annual psych and dance-oriented house party (this year's is called FEEL YOU and comes with a handy-dandy mixtape), we've gone through and written up our top picks for official bands as well as our top unofficial showcases! Read on!
Trevor Powers' vocals remind me of Daniel Johnson both the physical sound and the earnest lyrics. Then he takes these simple melodies and opens them up inside lush, shimmering layers of live and electronic instruments. RACHEL HAYS
--- YOUTH LAGOON - WONDROUS BUGHOUSE ALBUM REVIEW03/13 - 10:40pm @ Stubb's (NPR Showcase)
03/14 - 5:00pm @ 1100 Warehouse (Pitchfork Party)
03/15 - 4:00pm @ Hype Hotel (Stereogum Range Life)
03/15 - 5:30pm @ Red Eyed Fly (After the Gold Rush)
03/15 - 12:00am @ Club de Ville (Paradigm Showcase)
The band basically spells out relaxation with their name choice. Their music videos and album art reiterate that fact; the video for their song "Slow Down" is perfectly California cool. - JUDY NELSON
--- POOLSIDE FESTIVAL LIVE SHOW REVIEWMON, MAR 11 - 8:00pm @ The Mohawk (Transmission Entertainment Showcase, 912 Red River)
MAR 13 - 5:20pm @ Cheer Up Charlie's (Spaceland Showcase, 1104 E 6th St.)
MAR 13 - 9:30pm @ The Tap Room (School Night Showcase)
MAR 13 - 1:30am @ Red 7 (Windish Showcase, 611 East 7th St.)
MAR 14 - 1:35pm @ Flamingo Cantina (Under The Radar Showcase, 515 E 6th St.)
MAR 14 - 6:00pm @ Sonos House (606 E 3rd St.)
MAR 15 - 4:00pm @ Red Eyed Fly (Another Planet Entertainment Showcase)
MAR 16 - 4:00pm @ Lustre Pearl (97 Rainey St.)
Years ago, I was at SXSW and dying from crippling food poisoning. I was at the Warp Records showcase, more or less ready to die, when Flying Lotus took the stage and revived me. One-man electronic shows aren't always compelling, but with his tricked out beats, spastic visuals, and just general mythology, Flying Lotus is one of the best electronic solo acts to see. VIVIAN HUA
03/12 - 12:00am @ AMOA Arthouse at Jones Center
(Plus an unannounced surprise performance!)
Now in its tenth year, Seattle's Decibel Festival has grown from a tiny electronic celebration to a world-renowned music festival without sacrificing attention to detail along the way. From fabric wristbands to the notable lack of corporate sponsors -- save for ones that directly affect the electronic music scene in some way -- Decibel has retained a number of the charming qualities which usually become lost to larger festivals. Its continued stress on the audio-visual merging of music and motion art continue to push the festival forward as well, as Seattle's best venues were sometimes upgraded with video equipment and makeshift spaces were sometimes transformed into festival-worthy ones.
This review highlights some notable shows from Decibel 2012, ranging from excellent to quite mediocre, and includes write-ups of Andy Stott, Jimmy Edgar, Clark, Demdike Stare, and Orbital.
SEE FULL FESTIVAL RECAP AND PHOTO GALLERY
The Decibel Festival guide claimed that the Warp Records showcase on Wednesday evening would be for fans of Prince, which led to some confusion for me. Would that be in reference to main headliner and mad music scientist Clark? Certainly not. Then who?
The winner of the prestigious association -- and pleasant surprise for the festival -- turned out to be 1983-baby and astrology-enthusiast Jimmy Edgar. Edgar, a most handsome and dapper fellow, rose to the stage behind a stripped-down version of the LED light rig he usually travels with, ready to perform his 2012 Hotflush release, Majenta. No hitches here, it seemed... until the projections behind Edgar began to fill the screen.
The generic and low-quality visuals, which were more suitable for Windows 95 screensavers than for Edgar's clean productions, seemed like a stock offer from Decibel rather than Edgar's own choice. They became a painfully glaring and vibe-dampening reminder that the newfound "necessity" of supplying electronic shows with accompanying visuals can sometimes go awry when the visuals are tasteless, or of a different taste than the musician's music. They were distracting, to say the least, and it was unfortunate that habit dictated that they received much more attention than they warranted. (Apologies, I suppose, if they are indeed Edgar's creation, though I doubt it, and the criticism remains.)
Unfortunate visuals aside, Edgar queued up quite a dance party by passionately embracing every type of electronic music that might even be tangentially related to Prince -- from C&C Music Factory-type club jams and dirty '80s breaks to breathy R&B-influenced slow jams. Soul was at the heart of all of Edgar’s music, and its presence in his body was also clear, from his intense concentration to his spontaneously fabulous uses of vocoder. Such sensory vibage was not lost upon the audience, either. Never have I seen a grouping of men so stoked about the performance of another man, as man after ecstatic man screamed, "Jimmaaaay!!!!!" as though they were going to tear their shirts off in support of Edgar at any given minute. Twas one of the best shows I saw at Decibel, and most certainly one that made a lasting impression.
We've done the dirty work of flying through the expansive Decibel Festival 2012 schedule to select emerging and established acts which we think are most worthy of your valuable time. Sometimes this manifests as us gushing over complete all-night showcases or focusing on the Optical series, which merges visual art and music; other times, we dish out praise for solitary wheelers and dealers. Hear audio clips, read summaries, and more in this massive festival preview guide.
Music pioneers, experts, and newbies alike take heed! Decibel Festival's 2012 Conferences are a glimpse of what it's like to go to school for a degree in electronic music wizardry. Featuring collaborations with some fine and forward-thinking folks of the electronic world, these conferences run the gamut, giving those who want to get hands-on and technical the opportunities to do so, as well as offering more relaxed lectures for the bashful yet curious. Our choices for the 2012 Conference events focus heavily on the cross-disciplinary, emerging technologies, and panels which directly involve audience participation.
Those who: a) want to squeeze every last bit of glorious music-watching opportunity out of Decibel but are frustrated by the very human quality of being limited by time; and b) don't want to pay for a Decibel Festival pass but want to witness the international and national touring acts that will be in Seattle; will find some alleviation in Decibel Festival's After-Hours events. There are seven total, presented by Resident Advisor, Red Bull, and more.
Of all the Seattle experiences one can have, there's nothing quite like a sunny afternoon floating atop the waters of Lake Washington and Lake Union with skyscrapers, houseboats, nature, and sunshine in sight. Decibel Festival has expanded their annual boat parties from two days to four this year, in an effort to provide more intimate experiences for all showgoers.