Rule number one when coming up with a band name: make sure no one else has it. You want to stand out at least a little, not get slapped with a cease and desist or lawsuit. You want to hopefully have your MySpace page show...

For the duration of their 7-year career, CocoRosie have been criticized and loved with equal fervor. To some, everything about the sisterly duo reeks of art school pretension, from their lyrics to the images they conjure of feathered hairpieces and child-like watercolor paintings. To others, it takes true wordsmiths, visual pioneers, and experimentally-curious individuals to craft music like CocoRosie's in the first place.

If critics and lovers are ever to converge on an opinion about CocoRosie, the duo's latest album, Grey Oceans, might be the starting point. It is a synthesis of their alienating experimentation with more traditional textures and melodies. This time around, CocoRosie seem to place a much larger focus on percussion and creating an overall rich, comforting ambiance. Noises now hide beneath core instrumentation rather than dominating the landscape, and Grey Oceans simply feels much more pedestrian than the sisters' previous works. Only the two closing tracks, "Fairy Paradise" and "Here I Come," stand out as especially disjointed; they break down into odd trance beats and utilize lethargic vocals, respectively.

 

ALBUM REVIEW CONTINUED BELOW Listen to "Lemonade" - DOWNLOAD MP3

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