Vee Hua 華婷婷Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN 12 Collage + 14 Digital Illustration...
Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN 12 Collage + 14 Digital Illustration...
Xhurch, a repurposed church in North Portland, has decided to take last year’s live reenactment of the Nativity one step out of the terrestrial and into a more cosmic direction, with this year’s Alien Nativity. See full slideshow of last...
Erik BurgWhat is there to say about a Dan Deacon concert that hasn’t already been said? He’s probably one of the most photographed and documented live acts in recent years — and especially considering his studio albums are decent at best...
This video for Totally Enormous Extinct Dinosaur’s “Trouble” resides mostly in a David Lynchian universe, with heroined-out slow-motion vibes. Interspliced, however, are quick flickering shots of TEED (Orlando Higginbottom) being...
“I want to confront existence itself; I want to shout into the infinite void.”
Starfucker works with Joshua Cox on this beauty, taking kaleidoscopic imagery generally manifested through digital means and turning it on an analog head. In what must have been a high-budget, laboriously-planned effort, this video for “Bury...
Ambiguity is one of the most powerful tools performers are using to draw us into their work. In the case of Japan’s Offsite Dance Project, uncertainty dictated everything the audience did, starting with when we gathered into the Olympic Mills...