REDEFINE’s annual Album Covers of the Year feature consolidates interviews from artists and musicians to highlight philosophical, thematic, and conceptual significance of great album cover...
Read on
Miles GinozaIt was an emotional return to concerts after over a year of uncertainty surrounding the future of live music. Luna Li and Japanese Breakfast’s second sold out show on Friday, October 1st in San Francisco’s Regency Ballroom seemed to...
Vee Hua 華婷婷We’ve finally made it to the bitter end of 2020, and believe it or not, human beings are still making amazing art in the midst of crisis and a pandemic. After a five-year hiatus, our Album Covers of the Year feature is back with a deep dive of...
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the...
For the “Time Between” music video, Bear In Heaven enlisted the help of director Nick Bentgen, who spent long nights hanging out with strangers and visiting the homes of acquaintances in Manhattan, Brooklyn, and Queens, to collect what must have...
Drawing obvious inspiration from timelessness and less obvious inspiration from Aleister Crowley’s Thoth tarot deck, director Vinyl Williams takes Dub Thompson’s “No Time” and turns it into a multi-level philosophical...
This past winter season has been sheer insanity in North America, with overwhelming snowstorms galore, polar bears being taken indoors, and more, more, more. What better time, then, to use music videos to explore the beauty of wintry landscapes? In...
Every year, we interview a number of musicians and artists for the intimate details and philosophical underpinnings of their album cover artwork. It’s an ever-massive undertaking, but we make sure to include ever genre, from doom metal to disco...