Despite Kadazia Allen-Perry's youth, her cystic fibrosis has forced her to confront her own mortality. In her autobiographical documentary, Chronic Means Forever, the African-American first-time filmmaker provides an intimate exploration into the feelings of alienation and frustration which accompany her life-long diagnosis. Allen-Perry is faced daily...

27 February, 2019

Some artists are prolific, churning out project after project at a speed that leaves onlookers wondering about their superhuman pace. Some have a much slower process -- painstaking in intricate detail -- and Eric Beltz is one of the latter. A drawing teacher at University of...

23 September, 2016

Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.
17 December, 2014

To trace one's own path from infancy to adulthood can sometimes mean ascribing new meaning to past events. It can mean uncovering moments that seemed innocuous at the time of their happening, only to discover later that they were, in fact, profoundly moving. Nature and ritualistic dance, two prime inspirations for Southern California artist Nathan Hayden, came to him down the pipeline of experience, in the form of significant life events he can now place importance upon as an adult. These moments, coupled with Hayden's curiosities towards the world-at-large, make him an artist that is ever-synthesizing and ever-seeking, eager to experiment and follow his many multidisciplinary whims.
Nathan Hayden Artist Interviewwhat was meant to be here was no longer, 2014, ink on industrial felt
"I'm just trying to access the possibilities of other things, and in the same way that I look at art throughout history and nature for little pieces of those other realms, I'm hoping that I can be a part of that process and for people to get a peek into other realms by looking at my stuff, that might bring about stuff that I can't even imagine." - Nathan Hayden
25 September, 2014

Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers
31 December, 2013

Los Angeles-based artist Rob Sato is more than a painter of fantastical watercolor dreamscapes. Challenging his own magnificent talent as a masterful visual creator, Sato is also a prolific consumer of culture. Profoundly influenced by historical events, dynamic music, and piles of life-changing books, he is able to channel many diverse creative explorations into colorfully horrific and disarmingly beautiful works of art; his work is an intriguing amalgam of childhood fantasies and literary consequence, adeptly bridging the gap between fantasy and reality.
"Writing feels like it comes from a separate part of the brain than where imagery generates from, so when I'm having trouble on a painting, I can turn to the writing to think about things from a different angle." -- Rob Sato

 

11 June, 2013

The childish use of color and scraggly linework of Hamden, Connecticut-based artist Christopher Mir are misleading; if these works strike you as digital MS Paint drawings made by a youngster, you'd be dead wrong. Herein lies the most well-rendered chicken scratch you've ever seen, set down with acrylic paints and enamel, and full of fascinating characters, unusual settings, and off-kilter subject matter. In the full post, Mir offers some words about the inspiration behind a select number of pieces. Despite their simple and straight-forward presentations, Mir's inspiration is often rooted in current events and older artistic works, as well as symbolic and esoteric knowledge.
(9 IMAGES TOTAL) The Alchemist "This is based on an image from a book called Alchemy and Mysticism. In the original work -- from the 17th century I believe -- the man in the foreground isn't blue, but in the painting I wanted to make him into a Krishna figure or a water being. He's there to water the trees and put out the fire. The entire image is open to interpretation, but in my mind, the symbol of the tree refers to our own feeling of being grounded -- rooted within the body -- or of being uprooted -- lost in thought or egoistic delusion."
Mir currently has a solo show at Benrimon Contemporary in NYC (514 West 24th Street, 2nd Floor) through February 23rd and another next month at TMproject in Geneva, Switzerland (2, rue des Vieux-Grenadiers).
Shaman

 

18 February, 2013

Scottish illustrators Kyle Noble and Jamie Irvine travel the world individually but remain tethered together through the constant exchange of twisted, fantastical comics. Emerging from their psychedelic landscapes -- some of which hardly resemble landscapes at all -- come floating heads with third eyes, praying mantises with Madonna streaming out of the top of their heads, fungal universes, and possible tractor beams. Noble and Irvine's collaborations are inspired by Exquisite Corpse, a Surrealist invention that serves as a mode of artistic interplay between individuals. Drawings are exchanged back and forth to evolve an image spontaneously and to create an organic, ever-unstable narrative. In the case of Noble and Irvine, this results in works that they describe as "unutterably absurd, sexually graphic and loaded with scientific as well as 'new age' theories" -- a natural output considering their respective influences. Noble cites interest in themes such as "the origins of man, Megalithic monuments, ancient civilizations, shamanism, psychedelia, cultural truth, skepticism, and spiritualism", and Irvine finds equal interest in "the exploration of the subconscious and the relationship with mind, sold, and body." Madness unfolds from there, to be seen in the batch images below. Some of Noble and Irvine's solo works to follow. (9 IMAGES TOTAL)

 

04 October, 2012
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