Troy MicheauProducer Matthew Barnes' first full-length on Tri Angle Records, Engravings, takes airy vocal samples and spaghetti western guitars and stretches them out over an expansive skyline, evoking an aerial view of monochrome industrial landscapes and...
Vee Hua 華婷婷Spectral Hypnosis is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post blurs through the ins-and-outs of electronic psych, with and without vocals, courtesy of Dustin Wong, Camp...
Last month, I came across a music video that Total Enormous Extinct Dinosaurs called, “one of the best music videos I’ve seen in a long time”: a live performance by iFani EWE in the Johannesburg neighborhood of Soweto. Having just...
Judy NelsonMontreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
Ghost & Goblin, the macabre-music-making, lo-fi loving, NYC-based team of Nicholas DiMichele and Spencer Synwolt have created SUPERHORRORCASTLELAND, an album filled with noises that go bump in the night -- like fuzzed-out angry electric guitars...
“Pop music shouldn’t always get a bad rap,” says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you on your dancing toes. This month, we rope in a lot of notable artists with new...
Holy shit, how 'bout 2013? If someone told me in 2005 that in 8-years-time, Japan would be melting from radioactivity, Daft Punk would make a yacht rock record with Nile Rodgers on guitar, Barack Obama was a two-term president and he too was a war...
In this first installment of Music Art Trends, a column detailing stylistic commonalities across music media, we highlight electronic musicians Oneohtrix Point Never and Jimmy Edgar‘s respective collaborations with artists Takeshi Murata and...