Yair RubinsteinA lot of barbs were thrown at James Blake on the run-up to his debut LP. Music critic Simon Reynolds playfully referred to Blake and his fellow soulboy bass-heads (i.e. Mount Kimbie, Jamie Woon) as ‘blubstep.’ A poster on a music forum...
The debut LP release by MEN — JD Samson of Le Tigre’s newest project — released early this month. Known for funky DIY outfits (mouse house hats!) and topical lyrics with the goal of giving a voice to the young and the lesbian, Talk...
Vee Hua 華婷婷For the first year ever, REDEFINE magazine — a Pacific Northwest-based independent music, art, and film blog — has decided to undertake the daunting task of throwing a show at SXSW. After partnering with influential Dallas...
The San Francisco trio, BEEP, is equal parts experimental electronica, free jazz, and jam band — a delectable mishmashing, ragbagging, hodgepodging mingle-mangle of sounds. The band’s latest record, City Of The Future, will tickle the...
Sometimes the most unlikely of music can only be described as “centering.” On the surface, Olekranon’s {bilal} is quite blatant and in-your-face. The album has a lot going on in the way of textures; sounds are layered with density...
Canada has given us a lot to work with in terms of music, specifically indie rock. Scores of baby Brooklyn bands have tried to imitate the success of giants like Broken Social Scene, Godspeed You! Black Emperor, and Arcade Fire, with mixed success...
Keith Canisius’ latest album, This Time It’s Our High, starts off as an annoying reminder as to just how much excellent music exists which you will probably never, ever hear about. The burden is almost crippling. At some point, though...
Over the years, and with each new release, Seattle-based Say Hi seemed to lose a touch of its eccentric bedroom-pop quality. The music remained endearing, but was clearly transforming into something more “grown-up.” Luckily, the sole...