Jax Deluca and Kyle Marler of Flatsitter discovered one another years ago on an Amtrak train, in what one might call an act of divine timing, or a perfect illustration of the “right place, right time” adage. What emerged from this...
"For me, my individual works are those emotions via the music. The exploring, the playing, and the transmission... I transmit what I perceive, and then somebody, the listener, receives that transmission. It feels a bit preposterous to say that, but...
"I think what ended up happening with the film is not so much about us as it is about listening through us. Seeing the landscape through our ears... Our goal was to keep a ‘deep listening’ attitude, so that included anything we met and anyone we...
“Language is the quintessential blueprint that can bridge between the senses. The more I attempt to describe music in visual terms, and the visual in musical terms, the more I’m training toward synesthesia. It’s not an ability that I naturally have...
With a Prince-like smoothness, in slides LA Priest on “Occasion”, the album opener for Inji. Without pretension and full of confidence, “Occasion” is immediately arresting — the perfect blend of lip-biting vocals and...
"Culturally, there is the expectation that when a woman wears certain items of clothing, she is expected to act a certain way. I wanted to wear clothing that made me feel sexy, without the demands of needing to act that way. I could scream and shout...
French producer Xavier Thomas, aka Debruit, returns with Outside The Line, an intersection of coldwave, African rhythms, and early ‘80s electro and hip-hop. A deep breath, and then it begins.
“Some boys began to drink beer and whiskey, a few began to smoke marijuana” — so says a voice seemingly beamed in from a middle twentieth century nature documentary on the partying habits of young men. It’s an interesting...