Barn Owl’s 2011 release, Lost In The Glare, was an instant love for me and earned a deep place in my heart with hardly any effort at all. I had been longing to see the Northern California duo since, and during the wait, my expectations had...
In this bi-lingual Japanese and English interview, Jon Barthmus of Sun Airway and Takayuki Nakazawa, art director and designer for Japanese art collective NAM, offer their perspectives on designing an album cover together.
Remix City sifts through mountains of remix trash so you don’t have to, in an attempt to find those that contribute something original to their originals. Indie rockers Breton get a tranced out remix by Busy P and Trent Reznor‘s How To...
MADNESS! is a recurring series of audio WTFs and head-twitching, spine-tingling experimental or chaotic fun (k-k+st-s-t+l-l)icks. Today, Aperiodic bring chaotic free jazz noise, and we pay slight homage to past sounds via Finland’s haunting...
Bleep is a column focusing on varying degrees of electronic music news, videos and MP3s. In this post, Juju & Jordash make primitive techno waves with their latest release on Dekmantel, and Photek makes a comeback that strays from drum n’...
IN SHORT: “It’s not your average Black Moth Super Rainbow Album.” In discussing early album reviews for Cobra Juicy, Black Moth Super Rainbow’s de facto leader Tobacco called the album “the 1st bmsr I really got...
SPECTRAL HYPNOSIS is a recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. This post highlights the exciting new project from Tim Hecker & Daniel Lopatin and a track from Seattle’s...
"I like pop music, but I get really bored with hearing the same sounds over and over again. I think it's a good challenge to get something stuck in someone's head but challenge them at the same time." -- Jennifer Moore