Every year, we interview a number of musicians and artists about the intimate details and philosophical underpinnings of their album cover artwork. It's an ever-massive undertaking, but we make sure to include every genre, from doom metal to disco, minimal electronic to mainstream pop, with the intention of highlighting the best visual art, regardless of why or who created it. You can see entries from previous years here, and browse 2013's entries by either scrolling down or selecting a category below. > Narrative & Mythological Album Covers > Photographic Album Covers > Illustrative Album Covers > Mixed Media & Collage-Based Album Covers
Out with the old, no matter how good it is! Here's our comprehensive list of Top Albums of the Year 2013, schizophrenic as always to reflect the diverse tastes of our staff, though there is some overlap. It's highly recommended you check out every release here, as each has its own creative strengths.
Matthew Carter - electronic, experimental, metal, pop, rock Vivian Hua - dance, indie, pop, psychedelic, soul Troy Micheau - classical, electronic, experimental, instrumental Judy Nelson - dance, electronic, indie, pop, psychedelic, soul Elizabeth Perry - indie, mainstream, pop, rock Peter Woodburn - classical, instrumental, metal XUA - electronic hip-hop, mainstream, pop Albums of the Year 2013

September 22nd officially marks the end of summer 2013 in the Northern Hemisphere — and to celebrate the passing of time, we’ve decided to create a timeline to forever remember the songs currently trending on our site, as well as take a look back on the music that has colored...

Forest Swords Engravings Tri Angle Records (2013) It's been three years since Forest Sword's beautiful EP Dagger Paths was released -- enough time for some of us to forget about how awesome those tracks were and to write producer Matthew Barnes off as an occasional dabbler rather than forceful new figure. Fortunately, he's used that time well. His first full-length, Engravings, takes airy vocal samples and spaghetti western guitars and stretches them out over an expansive skyline, evoking an aerial view of monochrome industrial landscapes and overcast rocky beaches long abandoned by human investment or presence. Engravings inhabits the spaces we've left behind, pooling the essence of detritus together in celebration of the act of being. Sampled voices, percussion, and melodies are scraps littered about the countryside and united in the single cause of radiating their true potential rather than their perceived obsolescence. It all culminates in an utterly gorgeous and unique vision that combines modern technology and organic material as both means and message.
"Obviously everywhere has history, but when you grow up [somewhere] it contextualises it a lot more. It’s a lot more impressive when you can see physically where those things are. Thor’s stone, for instance, is a place in a village called Thurstaston. Local legend has it that it was used as a sacrificial place for Vikings and settlers and stuff. So to find all these things… it kind of felt right for me. And it came at a time when I maybe wanted that connection with my home. You get to a certain age where you want to reconnect with where you were born and where you grew up." - Matthew Barnes on "Thor's Stone" via FACT Mag