José González's music has always maintained a timeless quality. In the realm of contemporary folk, there is no competition for his soothing yet soulful tones and melodic, plucking guitar. On Vestiges & Claws, the first solo album he's released in 7 years, a new kind of electrifying energy is at play. Melding the intimately personal with the overwhelming impersonal, González takes us on a journey with him, creating the kind of depth that elevates a folk album from pleasant background music to a collection that will stay and grow with you -- as it has evidently stayed and grown with him -- for a long time.
Jose Gonzalez - Vestiges And Claws Album Review  

Though the haunting voice of Portland songstress Sara Jackson-Holman already lends itself well to a song bearing the title “Haunt Me”, the remix by hometown hero Natasha Kmeto transforms all of the bright notes of the piano-heavy original into atmospheric grey skies. Pair that with a number of delightful frills-and-lace...

Curated by vVv Stardust & Serious Moonlight of Intuitive Navigation, of Portland’s newest radio station, XRAY.FM — xray.fm/programs/intuitive-navigation — for PICA (Portland Institute of Contemporary Art)’s Giving Tuesday fundraiser....

Back in 2011, French record label Atelier Ciseaux collaborated with the label La Station Radar to curate an extremely popular mixtape featuring the pop stylings of bands like Lucky Dragons, Mathemagic, Jeans Wilder, and Reading Rainbow. Time may have passed, but Atelier Ciseaux’s dedication to inventive pop songs that saturates...

With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You'd be well-served to check out every single record here.
Vivian Hua - dance, indie, pop, psychedelic, electronic Troy Micheau - metal, electronic, experimental, ambient Jason Simpson - pop, soul, electronic, ambient Ian King - electronic, ambient, instrumental, pop Peter Woodburn - ambient, metal, garage, indie Judy Nelson - dance, electronic, indie, pop, hip-hop Albums of the Year 2014
This week, I found myself at Portland's Doug Fir Lounge three days in a near row. While it is perhaps my second must frequented venue after Holocene, rarely do I have the chance to go so many times in one week, and to observe such varying acts. Hence, in celebration of today's full moon in Gemini -- just like our Intuitive Navigation event tomorrow eve at Holocene -- I shall endeavor a twin review of two notable female acts: Bay Area R&B singer Goapele and indie rock veteran My Brightest Diamond, both of whom put on great shows, but in vastly different ways and to vastly differing crowds. The full moon represents the femininity and intuition, and today's Full Moon in Gemini (during a Sagittarius month) looks to the twin sign for an outwards celebration of life.
My Brightest Diamond and Goapele Live Show Review at Doug Fir Lounge  

Recently back in the spotlight with their latest record, Cosmic Logic, Peaking Lights have left behind the laid-back grooves of their last two full-lengths, 936 and Lucifer, to embrace full-on the ostentation of a dance record. Cosmic Logic is guaranteed to throw the duo's long-time fans for a polarizing loop,...

Page Campbell and Dan Donahue, aka Dream Boat, achieve two impressive feats on their sophomore release, The Rose Explodes. With unflinching lyrics, they convey honest emotion and highlight the uniquely timeless yet unearthly quality of Campbell's voice. With expert instrumentation, they create and fill a space in which that emotion can live and from which it feeds -- a space that has both depth and character without distracting from the album's overall effect.
Dream Boat - The Rose Explodes Album Review
By experimenting with distances, alternating which vocal or instrumental tracks feel close and which seem far, Donahue and Campbell create a musical space that has depth rather than the mere appearance of depth.
O'Death - ROAM Music Video
In the music video for O'Death's latest single, "ROAM", mismatched body parts from sixteen people contribute to tunnelvision of a most peculiar kind. Psychedelic experiments usually seen on full-color blast are given carnivalesque life through black and white articulation, as viewers take a swirling ride past grim lyrics and disembodied structures. Created by band member Gabe Darling, the experience of this music video is perhaps best summarized using his own description; upon viewing it, "You're just a tourist in this fleshy-hell-party." O'Death's latest record, Out of Hands We Go, is out now on Northern Spy Records, and can be streamed in its entirety on CMJ.com. You can also catch them on their national tour now, with a series of west coast dates beginning in the Pacific Northwest with Stone Jack Jones! Full tour dates below, along with the music video stream and a Q&A with Darling, in which the humor behind his "fleshy-hell-party"-crafting mind truly shines through.