Los Angeles-based artist Rob Sato is more than a painter of fantastical watercolor dreamscapes. Challenging his own magnificent talent as a masterful visual creator, Sato is also a prolific consumer of culture. Profoundly influenced by historical events, dynamic music, and piles of life-changing books, he is able to channel many diverse creative explorations into colorfully horrific and disarmingly beautiful works of art; his work is an intriguing amalgam of childhood fantasies and literary consequence, adeptly bridging the gap between fantasy and reality.
"Writing feels like it comes from a separate part of the brain than where imagery generates from, so when I'm having trouble on a painting, I can turn to the writing to think about things from a different angle." -- Rob Sato

 

Through the years, long-time collaborators and friends Lazerbeak and Minneapolis video artist Matt Scharenbroich have worked together to match their passions with one another's. In this feature below, we look back at their projects together, and Scharenbroich comments on his latest video for "Life Every Voice", which is a rippling animated delight that falls downwards through glitter and varying levels of psychedelic intensity.

 

INTERVIEW WITH MATT SCHARENBROICH CONTINUED BELOW
"The falling in the video could be paralleled with that of Alice falling down into the rabbit hole or the sensation of one's body falling into a dreamy hypnotic state. There is a certain freedom and release associated with this transformational and transcendent state. That release from the boredom and restraints of life can be incredibly uplifting." -- Matt Scharenbroich

 

In Midday Veil's new video for "Moon Temple," vocalist Emily Pothast has edited source material she and guitarist Timm Mason generated last year during a residency at Experimental Television Center in Upstate New York. At its gentlest, the video is a silky smooth ripple; at...

I've oft wondered how radically different our music culture would be if say, venues were allowed to turn a profit from other drugs. Thanks to John Hopkins University, we're now for the first time since the '60s seeing studies which suggest psilocybin can be used for all kinds of freaky deaky shit -- like say, alleviating people's fear of death. I personally use them to peer into the intricate depths of the thousand-eyed hive mind, but to each their own. Am I the only one who's beyond weirded out by the fact that there's only one legal recreational drug? It's shamelessly pushed down our throats, and what does it do? It binds us here and keeps us stupid; that's what it does. It's called mind control my friends, pure and simple. You can drink booze! It's all over the fucking place. There are literally billions of potential recreational compounds which we could choose as the foundation for our cultural activities, and that's the one we get. You've got to stop thinking this makes any sense. I've always joked that if you want to get paid playing music, you should start a cover band. The reason is simple: the game's been rigged. Clubs make their money off booze and drunk people want to hear songs they already know and can sing along with. Hell, I do when I'm drunk. Timeless states of being are always within our reach through the use of psychoactive substances, meditation, breathing exercises, dream manipulation, and other natural methods -- but it's also nice to know that Midday Veil frontwoman Emily Pothast's fledgling record label, Translinguistic Other, is on the forefront of helping you achieve them with even greater ease through sonic invocation. I caught up with the prolific Miss Pothast (pronounced like “hottest") to discuss some of these topics, and some other stuff that happened to be going through my head when I drew up the questions. I was kind of drunk.

Q&A With Emily Pothast, Translinguistic Other Founder & Midday Veil Vocalist

I first became interested in Gnosticism when I was living in a part of Texas that is completely dominated by fundamentalist Christianity. I knew the dominant culture was fucked, but I didn’t feel like it was useful to be completely dismissive of the religious mythologies that held so much resonance for these people. I wanted to know where these ideas came from and to see if I could learn something about the patterns behind them. -- Emily Pothast, on mysticism