"Pop music shouldn't always get a bad rap," says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you on your dancing toes. Glasser graces us with her audio-visual explorations, Shy Girls croon their way into new hearts, CFCF gets slightly less theoretical, and more from Tezeo, Weird Owl, Club 8, Bam Spacey, and Hollow & Akimbo.
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Glasser - "Shape"

There are some artists I've seen live and, as a result, began to trust with utmost faith. Cameron Mesirow is one of those artists -- and this trust lies firstly in her live demeanor, secondly in her artistic style and collaborative pieces, and thirdly in her music on its own. There's a sense of neo-spiritual strength in Mesirow's live energy and the way she holds her head up high that is truly respectable, and a new Glasser album has been something I've been excitedly awaiting since the release of 2010's Ring. Interiors will be out this October on True Panther Sounds and will incorporate a number of exciting audio-visual projects, which we will get into more in-depth next month with our interview with Glasser. For now, the album's first single, "Shape", combines the same sense of mature groove and wind-blown seaside whimsy that Ring incorporated; and the lyrics are entrancing throughout, but it is with the lines, "In the light of the truth all I can do is bow," that the force that is Glasser shines through. Music video visuals by Jonathan Turner. While we're at it, let's also talk about the operatic vocals of "Design", which slip and slide over a rotating landscapes of minimal synthlines and drum exchanges. There is so much to love in this track -- and somehow the slithering sexuality of this music video, also directed by Jonathan Turner, makes perfect sense to me. Says Glasser about the piece: "I'm chasing after the next feeling. 'Design' is probably my favorite piece that I have ever written. It's a moment of joy that exists in the anticipation of ecstasy. Which is the better feeling? Both are delicious phantoms that we'll only ever glimpse again upon reflection of a new experience. This is my best attempt so far of trying on the phantom, wearing it as my clothes, possessing it as my own object." GLASSER - INTERIORS TRACKLISTING 1. Shape 2. Design 3. Landscape 4. Forge 5. Window I 6. Keam Theme 7. Exposure 8. Dissect 9. Window iii 10. Window ii 11. New Year 12. Divide
"I like music where you're not thinking about what a specific instrument is... an instrument-less quality. It doesn't come from a band, but from a whisper in the wind." - Cameron Mesirow of Glasser, of her upcoming record, Interiors

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion,...

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography + 6 Deluxe Packaging + 10 Fashion,...

Even the most spontaneous and/or tolerant of audiophiles need a quieting anchor in times of auditory overload. In modern life, anyone rational will have his or her slim gadgets unobtrusively tucked away in a pocket somewhere, earbuds dangling out and ready to go for those inevitable trips to the supermarket whose assistant manager insists on playing Top 40 (or worse, the Nickelback and 3 Doors Down channel) on a constant loop. It's not hard to imagine Club 8 flowing out of those earphones to remove the lo-fi lover from the overwhelming and the sensational of daily life. Half comprised of Acid House Kings member Johan AngergÄrd and with a discography including "Spring Came, Rain Fell" that makes love songs capable of being not irritating without resorting to lyrical irony, Club 8 serves as the savior from Scandinavia. Yes, it's possible to be sincere about love. Maybe it's something the Swedes would like to keep a national secret.

 

Arguably, nostalgia is a double-edged sword. On the one hand, you can take inspiration from some really great sources and mold them into your own image; on the other side of that coin, it's easy to fall into the trappings of becoming a rip-off. There's a stark difference between Warhol's...