09 Dec
Out with the old, no matter how good it is! Here's our comprehensive list of Top Albums of the Year 2013, schizophrenic as always to reflect the diverse tastes of our staff, though there is some overlap. It's highly recommended you check out every release here, as each has its own creative strengths.
Matthew Carter - electronic, experimental, metal, pop, rock Vivian Hua - dance, indie, pop, psychedelic, soul Troy Micheau - classical, electronic, experimental, instrumental Judy Nelson - dance, electronic, indie, pop, psychedelic, soul Elizabeth Perry - indie, mainstream, pop, rock Peter Woodburn - classical, instrumental, metal XUA - electronic hip-hop, mainstream, pop Albums of the Year 2013
22 Sep
Try as I might, it was hard not to see every artistic choice that surrounded the first Portland appearance by Body/Head as a reaction to the divorce of Kim Gordon and Thurston Moore. There was the steadily unrolling video - directed by longtime Sonic Youth collaborator Richard Kern - that accompanied the hour-long performance. The slow motion clips cut between a man (actor James Ransone, best known for his work as Ziggy in season two of The Wire) and a woman who draw closer and closer in the space of an art studio. At one point, Ransone is on top of the young woman, straddling her as he takes her photograph. But by the end, the woman is alone, making art of her own creation, spreading black paint on a canvas by way of a nylon stocking.
09 Sep
Devon Welsh isn't just looking for applause at the end of a Majical Cloudz song. He'll gladly accept it, nod his head a few times, and give the audience a hint of a smile, but for Welsh, the Majical Cloudz live set is about much more than that.Majical Cloudz "When you play a show, you want people to feel something," Welsh told Pitchfork's Jenn Pelly in a recent interview. "It's much better to communicate something than for people to just be like, 'Oh this is cool.'" As Welsh performs -- he's strictly the lead singer of the two-piece group that includes Matthew Otto on synth and sound mixing -- he slowly rotates his gaze throughout the crowd, moving at a snail's pace from left to right and then back again. You won't see him shutting his eyes or staring off into the distance, because his priority is ensuring that each word coming out of his mouth is fully digested by the crowd. He doesn't just casually look out into the crowd to gauge his audience, either. He stares into the eyes of every onlooker, and when his pupils fall on you, it feels like an intimate and intensely personal performance.
August 27th, 2013 @ The Echo in Los Angeles, CA
18 Jul
According to modern day magickians like Alan Moore, "Art is magick, because art transforms consciousness". By that definition, some of the world's greatest mystics don't ever actually identify themselves as such. In my world, Robert Pollard is probably the most potent of these closet sorcerers, unassumingly churning out tune after tune ad infinitum from his hometown of Dayton, Ohio. It's an unending supernova. No single rock musician has pushed the boundaries of the human imagination in quite the same way as the guy, who will most likely go down as the single greatest songwriter in human history (or by definition of taste, the most prolific at the very least; he's already kind of got that cornered).
The story of how I got into Pollard's (now reunited) Guided By Voices is a strange one, and as with everything regarding my youth, drenched in debauched sonic witchery. When GBV's absolute classic Bee Thousand finally brought national attention to the then almost entirely unknown band in the mid '90s (mainly due to the efforts of Matador Records), I bought a copy. Truthfully, I didn't like it that much after a few listens. I even most bizarrely remember driving around with my dad at one point and him mentioning that he heard a segment about them and their supposed "indie rock" on NPR and was curious. I put it on. Neither one of us got it. And that's sort of the thing you have to point out to GBV detractors. Even though I have nearly 40 Pollard-related releases at this point, I still don't like any of them until run through number four at least. None of it makes sense at all when it first hits me. I have absolutely no idea how he does this, but it's the sort of thing that's going to confuse the shit out of critics, myself included, especially in the information age.
 
10 Mar

I'm going to say it right off the bat: anytime a hardcore band does something that isn't the stereotypical hardcore sound, it gets automatically bumped up at least one full letter grade for ingenuity in its genre. That may be unfair, but it is one of those things that can't...

21 Dec

A spectrum of musical madness that represents our tastes from large to small, mainstream to obscure, spaced out to reasonable. There's no way in bloody hell you'll love every release on this list unless you have a million personalities living in your puny body, but chances are great that you'll...

23 Dec

2010 has come and gone, leaving in its wake a magnitude of amazing album artwork. This year, we decided to speak directly with the forces behind the album artwork about creative processes and inspirations. A massive feature with over 90 interviews with musicians and artists....