Vee Hua 華婷婷Hidden beneath the gargantuan, State-driven China that is emphasized over-and-over again in news coverage lies an artistic day-to-day that few people see. As in any developing country, China has become a breeding ground for new and often innovative...
Greg HealeyThe 1980s: that decade of shoulder pads and deindustrialization, was to be a decade of neon-coloured clothing, big hair and financial big bangs; a decade when Frankie Goes to Hollywood said “Relax”, and David Bohm proffered that space...
Maria SchettinoLayla Sailor's gorgeous photo series, Kokoshnik, examines the traditional Russian headdress in a gloriously colorful and modern fashion. Historically worn by married women from the 16th to 19th centuries, the customary kokoshnik is generally...
REDEFINE magazine and Holocene host FANTASTIC BABY: The Opulent Kingdom of Contemporary K-Pop, a K-Pop music videos gallery and discussion panel on the following topics: - Repeated motifs and common techniques in filming contemporary K-pop videos: a...
Erik Burg“We do not want to please, we want to question the Knife.” – Olof Dreijer, in the manuscript for the group’s latest album, Shaking The Habitual. From the heavy-handed manuscript and bio written to accompany their first album...
With a drab color palette of greys and and blues, reminiscent of somber films like A Single Man, comes the music video for Antony And The Johnsons’ emotive new track, “Cut The World”. At just under 5 minutes, the music video...
"What I feel is: everyone is fed up but most people are terrified of losing whatever little commodity they have conquered by publicly admitting it." -- Ikonoklasta
Peter WoodburnExpectations can be a tricky best, especially when it comes to films. The trailer for Mathieu Kassovitz’s newest film, Rebellion, really makes it seem like a wartime story. In a sense, Rebellion is a wartime story, insomuch that it is set...