Michael FrancoIn the future, androids will cruise lounges looking to score with flesh-and-blood humans. When the couples will go back to their climate-and-dust-controlled apartments and begin pairing, the soundtrack that will start auto-playing in the background...
Vee Hua 華婷婷MusicfestNW began for me like every other MusicfestNW experience. I consistently respect the festival's curatorial efforts, which always yield at least a handful of acts I am excited about, and an even larger smattering that I don't exactly care for...
Los Angeles-via-Portland’s STRFKR are a band people love to hate, but I like to give props where props are due. “While I’m Alive”, from the band’s latest album, Miracle Mile, may be my favorite song of theirs yet...
Karla HernandezCelebrating its 10th anniversary, FYF Fest brought together an impressive group of bands once again, always managing to make it seem like it's a family reunion with its mix of veterans (My Bloody Valentine, Charles Bradley, Roky Erickson, and Flag)...
The character of my fondness for Michael Jackson and Friedrich Nietzsche is very similar. Despite both of these men being extremely influential and leaving behind highly celebrated bodies of work, they are also both often considered tragic cases on...
Judy NelsonMontreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
Jason SimpsonPure Bathing Culture first full-length record, Moon Tides (Partisan Records), reflect a number of themes of the indie underground like a crystal ball, that are easily missed or ignored with cursory reductive listening. There’s more going on here...
Ghost & Goblin, the macabre-music-making, lo-fi loving, NYC-based team of Nicholas DiMichele and Spencer Synwolt have created SUPERHORRORCASTLELAND, an album filled with noises that go bump in the night -- like fuzzed-out angry electric guitars...