Devon Welsh isn’t just looking for applause at the end of a Majical Cloudz song. He’ll gladly accept it, nod his head a few times, and give the audience a hint of a smile, but for Welsh, the Majical Cloudz live set is about much more...
Montreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
One pervy frog man gets down in the music video for Weaves‘ “Motorcycle”, where vaguely sexual lyrics turn into an animated tale of a naughty amphibian’s newfound, crotch-heavy love for his newfound motorcycle. This animated short is the product of...
As a true multimedia art installation, Jerusalem In My Heart are a sight to behold in a live setting, and also represent a modern update on traditional Arabic music and songwriting, with additional multicultural counterpoints.
Blue Hawaii Untogether Arbutus Records (2013) Voice and space function as the two most important instruments on Untogether, a side project of Braids’ Raphaelle Standell-Preston and collaborator Alexander Cowan, their debut album as Blue Hawaii...
Lansè Kòd (The Rope Throwers) 1996 Every year, Carnaval comes and goes across the entire world, tantalizing everyone with its fanciful costuming and celebratory antics. But beyond the tourist circuit of Carnival lies another Carnival, in locales...
“Pop music shouldn’t always get a bad rap,” says Top Pops!, a recurring selection of pop music highlights across a selection of styles. Two female-fronted records from Taken By Trees and Southern Shores offer their unique spins on...
Multicultural Sounds travels the world for contemporary reinventions of cultural staples. Spain’s Grammy-winning Ojos De Brujo tackle every genre under the sun in their remix album, and Montreal/Los Angeles by-way-of Iran’s Niyaz talk...