Drawing obvious inspiration from timelessness and less obvious inspiration from Aleister Crowley’s Thoth tarot deck, director Vinyl Williams takes Dub Thompson’s “No Time” and turns it into a multi-level philosophical...
Yearling, the second album from Orcas — the collaboration of Thomas Meluch, better known as Benoît Pioulard, and Rafael Anton Irissari, who also makes graceful ambient shoegaze under the name The Sight Below — seems very intent on a time...
Here is a quick summary of GOAT, and the story is meant to be taken with as many grains of salt as possible. GOAT originally hail from Korpilombo, Sweden, from a community that has a history of voodoo worship. At various times, the incarnation of...
On their newest LP, Electric Balloon, New York’s Ava Luna offer a solid rock and R&B framework infused with the pulse of experimental music. The result is something they call “nervous soul” — experimental rock that is as...
I spent a long time thinking about how to write this album review of Linda Perhacs’ new album, The Soul of All Natural Things, the follow-up to Perhacs’ 1970 album Paralellograms and her first new record in 44 years. Paralellograms is a...
马肉 (Horse Meat) 2014: a mix of Chinese music by Josh Feola of Pangbianr (旁边儿) for REDEFINE. World premieres, practice demos, deep cuts, and stone cold classics from the Chinese rock underground circa 2014. (Editor’s Note: Happy Chinese New...
The “blind bluesman” is perhaps the dominant image of the genre, and one that evokes a number of associations. As noted by scholar Joesph Witek, the idea of the “blind genius” dates at least as far back as Homer. Given that...
Every year, we interview a number of musicians and artists for the intimate details and philosophical underpinnings of their album cover artwork. It’s an ever-massive undertaking, but we make sure to include ever genre, from doom metal to disco...
