Album Covers of the Year 2014
In contrast to modern patterns in music consumption comes our annual Album Covers of the Year feature, where, instead of forgetting album artwork even exists, we hyperextend ourselves to assert that it is an artform that is vitally connected to the spirit of the music. This feature, which is divided at times into thematic elements and at times into artistic medium, incorporates interviews with not only musicians, but also artists involved throughout the artistic process. We pride this list in being diverse and multi-faceted, as well as philosophically exploratory. See all of our entries from previous years or get started by choosing a category below. Happy travels through the artistic universe we've crafted for you.

There are hardly any electronic instruments on Punish, Honey. Instead, Vessel's Sebastian Gainsborough built an arsenal of homemade instruments, including flutes made out of bike frames, sheets of metal, and "harmonic guitars". Punish, Honey is an industrialized suite: clanking, stomping, sparking, twitching, pounding. But instead of the giving the sensation of a migraine -- which is sometimes produced from hyperfrenetic digital constructions, as with some of the recent work from James Ferraro -- Punish, Honey is like walking through a factory full of mechanized automata, like a textile mill animated by Jan Svankmajer. Like The Sorcerer's Apprentice, if he had brought jackhammers and bellows to life, rather than broomsticks.
Vessel - Punish, Honey Album Review

The more I look into Decibel Festival 2013, the more pumped I get about its representation of sounds -- classic, indie, techno, house, classical, disco; somehow this year's fest hits on almost every bit of my musical interests without becoming redundant. With so much going on, it is certainly hard to choose where to put one's mental and physical energies... so I've taken the liberty of choosing my top showcases for each day, to help those of you with passes to hop around gleefully, and those without to best use your money and time. Last year's festival featured some of my favorite shows of 2012; I expect this year to be no different. Happy tenth birthday to one of the best fall festivals around!
BROKE BUT WANNA GO TO DECIBEL? REDEFINE is currently giving away tickets to the upcoming Little Boots dates in Portland and Seattle! The Seattle date is a Decibel Festival date, which includes Little Boots, Light Asylum, Young Galaxy, and MNDR show at Neumos on Friday.
JUMP TO: WED, SEPTEMBER 25 THU, SEPTEMBER 26 FRI, SEPTEMBER 27 SAT, SEPTEMBER 28 SUN, SEPTEMBER 29

Wednesday, September 25th, 2013 ___ BACK TO TOP

NOTABLE PICKS > FACTORY POP w/ Peter Hook & Light, ADULT., Nightmare Fortress @ Neumos > ABSTRACT EARTH PROJECT Wax Tailor, Blockhead, Little People, Rena Jones @ Showbox at the Market > HYPERDUB RECORDS Kode9, DJ Spinn, Ikonika, Jimi Jaxon, Zach Walker @ The Crocodile ***

* TOP PICK * Like Klockwork Showcase w/ Ben Klock, Light Years

Q Nightclub (1426 Broadway Ave.) – 9pm Doors / 21+ / $22 Advance or FREE with Decibel Pass Attend the Like Klockwork showcase, and you're pretty much signing up just to see Berlin's Ben Klock, for the man is going to be playing for three-and-a-half-hours. It's not exactly a feat as he has been known to play sets up to ten hours long – but this will be a rare treat for Seattlites looking for bumping techno at the relatively new and sonically well-equipped Q Nightclub. Klock, a signee to the well-reputed Ostgut Ton record label, is a regular DJ at the internationally-famed Berghain nightclub in Berlin, with the likes of folks like Marcel Dettman and label owner Nick Höppner. Dominated by steel and concrete and known for its extremity, the club is, in particular, a “platform for purist techno", according to Höppner. The techno Klock and Ostgut Ton churn out is one not just to be listened to, but experienced (for it's not every type of music that yields the types of quotes as the one on the right) – and as the days begin to turn grey and Seattle enters into fall, one can only hope that the dark, pulsing creative energies that Berlin is known for will seep its way into the way into the Pacific Northwest. Opening the showcase will be Australia's Light Year, who will, with his wide-ranging repertoire, flow from relatively melodious and vocal sample-driven house into more atonal sounds, easing listeners into the transition from sundown to techno night.

In our 2012 Album Covers of the Year feature, we once again get our hands on everyone we can. Through interviews with designers, musicians, labels, and plenty of others, we take a close look at just how many hands are in the pot when it comes to the album artwork process. Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings or artistic mediums, and then are displayed on spectrums. Get started by navigating into any of these six sections: Geometric & Pattern-Based Classically-Influenced Narrative & Symbolic Photography & Manipulations Painting & Illustration Collage, Sculpture & Mixed Media You can also see last year's at 2011 Year-End Respect For Album Cover Art