Jasmine Zimmerman’s Bottle House at Bumbershoot

This year, Seattle’s arts and music festival, Bumbershoot, has followed in the steps of festivals around the world and gone carbon neutral. What that means is they’ve paid for all of the carbon that needs to be offset, including that created from round-trip travel for performers, and that which is created as a result of the festival itself.

Multi-disciplinary artist Jasmine Zimmerman‘s Bottle House ties in perfectly with this theme of going green. The purpose of her igloo created out of used water and pop bottles is to drive home the message that Americans consume more than 70 million bottles of water, in disposable plastic bottles, every day. As only one in six bottles are recycled and only half of U.S. residents have access to curbside recycling, the number of plastic bottles that are incinerated or sent to landfills are gigantic.

According to the message posted on the igloo, there ARE some things you can do.
– Employ a water filter at home.
– Take water with you in a permanent container.
– Refill your soap / shampoo / conditioner bottles at your local co-op.
– Reuse any plastic containers, rather than disposing of them.

For more resources and information, visit the Container Recycling Institute or Fast Company.

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and artist who splits their time between Oaxaca, Mexico, and Seattle, Washington. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Editor-in-Chief of International Examiner, and an Environmental Justice reporter at South Seattle Emerald. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Their latest short film, Reckless Spirits (2022), is a metaphysical, multi-lingual POC buddy comedy; the feature film version is slated for production in 2026. In 2025, they premiere their documentary short film, Hunt's Trading Post, set just outside of the Navajo and Ute Nations.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!. They have a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota and are pursuing a certificate in Incidencias en Problemas Socioambientales at the Universidad del Medio Ambiente in Mexico.

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