SIINAI’s “Anthem 1&2” Music Video Set To Alejandro Jodorowsky’s Holy Mountain

Chilean filmmakerAlejandro Jodorowsky’s Holy Mountain was released in 1973. The psychedelic story is geometry-heavy and laden with symbolic imagery and metaphysical themes. In short, the visually-stunning masterpiece has inspired countless creations, and it seems to be receiving another breath of fresh air as of late.


It seems Finland’s SINNAI are amongst the creative folk inspired by Jodorowsky, and they’ve shown that in their latest music video. The band is less than a year old but are releasing their krautrock-inspired Olympic Games on February 21st, 2012, on Splendour Records (Casiokids, His Clancyness, Brad Laner). “Anthem 1&2” is the first single for that album, and they’ve decided to match it up to scenes from Holy Mountain.

It goes without saying that the video is visually incredible. And SINNAI certainly did credit Jodorowsky on their YouTube credits, but it needs to be asked: is this re-appropriation an acceptable homage or an easy way out? It there artistic integrity or is it trite?

Towards the bottom of the post is a Physical Therapy 3-step remix of “Anthem 1&2,” along with two fan-made music videos set to Holy Mountain. The first uses Amon Düül II’s “Müller’s Frau Jam”; the second uses Sleep’s “Holy Mountain.” It could be argued that the SINNAI remix is most artful of the three, but does it matter? Are these the video equivalents of cover songs?

Siinai – Anthem 1&2 (Physical Therapy 3-step remix) by Electronic Beats

Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/them) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

Vee has two narrative short films. Searching Skies (2017) touches on Syrian refugee resettlement in the United States; with it, they helped co-organize The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. Reckless Spirits (2022) is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature-length project.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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Written by Vee Hua 華婷婷
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