Jacques Greene – “No Excuse” Music Video


Negative space, primary colors, and subtly pixelated forms immediately catch viewers in the early scenes of “No Excuse”. As time progresses, the video increases in complexity and speed, and as it zooms out to show the complete scene, one recognizes human beings, twirling and contorting before a blue screen backdrop. With slow-motion as their most powerful ally, they seem like artifacts floating in infinite space, and director Melissa Matos and TRUSST manage to utilize stereotypical music video tropes without it ever becoming tired.

Jacques Greene’s Phantom Vibrate EP comes out April 28th on LuckyMe.


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Written by
Vee Hua 華婷婷

Vee Hua 華婷婷 (they/she) is a writer, filmmaker, and organizer with semi-nomadic tendencies. Much of their work unifies their metaphysical interests with their belief that art can positively transform the self and society. They are the Editor-in-Chief of REDEFINE, Interim Managing Editor of South Seattle Emerald, and Co-Chair of the Seattle Arts Commission. They also previously served as the Executive Director of the interdisciplinary community hub, Northwest Film Forum, where they played a key role in making the space more welcoming and accessible for diverse audiences.

In 2017, Vee released the narrative short film, Searching Skies — which touches on Syrian refugee resettlement in the United States — and co-organized The Seventh Art Stand, a national film and civil rights discussion series against Islamophobia. 2022 sees the release of their next short film, Reckless Spirits, which is a metaphysical, multi-lingual POC buddy comedy for a bleak new era, in anticipation of a feature film.

Vee is passionate about cultural space, the environment, and finding ways to covertly and overtly disrupt oppressive structures. They also regularly share observational human stories through their storytelling newsletter, RAMBLIN’ WITH VEE!, and are pursuing a Master’s in Tribal Resource and Environmental Stewardship under the Native American Studies Department at the University of Minnesota.

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