Jupiter Lion has most often drawn comparisons to the bygone Krautrock bands of Germany in the 1970s – a time when the synthesizer became emblematic of thinking outside the confines of music theory and individuating German music more towards experimentation. Although there is nothing disparately Spanish about the band, their remarkability is playing music that has no audience on commercial pop beaches and the Balaeric beat revival clubs of their headquarters of Valencia. It’s no stretch of the imagination that the members of Jupiter Lion live in a dystopian sci-fi world, as watching unemployment rise and resources dwindle in their native country echoes many futuristic scenarios of literature. Much as the German youth rebelled against a confining social era with music not bound by rules, so too is Jupiter Lion a unique reaction to the current bleakness of the socio-economic climate.
Jupiter’s programming of electronics is sans laptop, to polish and guide the transitions. In foregoing technological crutches, they attempt to present a vision of futurist music that highly values capable human hands and shuns computer technology as an imposing force on creativity. They drone in ambient repetition for the entire length of a song, with atmospherics of analog electronics and tight live drumming that carries chops of psychedelic, post-punk, and even techno. The title track fires on all rock engines of oscillating bleeps and garage bass, and the synths present a great elasticity in going from that to the drowsy ambience of “Delpasse Effect.”
The 12-minute closer “Lost Cannibal” begins in a whirlwind of glitchy voices that calms into foreboding calls of bassist Jose Guerrero. “Time grows cold,” he bellows – just one entry in a list of machinations he foretells of that will mean a dismal future for our planet. Brighter is Jupiter Lion’s first release to feature tracks with vocals, but because they’re so sparsely found throughout, their presence is much more arresting between the instrumentals. Also worth mentioning is the increased role of drummer Gonzo in Vegas on “Lost Cannibal.” His name may or may not allude to The Muppets, but it’s fitting since he could easily give Animal the drummer a run for his money.
With its aptly descriptive title, Brighter becomes a concept album, for nowhere on the effort is the band not making use of refraction and exploring various frequencies of light over time. As voyagers into the inexplicable vastness of sound, there is plenty for them to visit along the way: stars, comets, and swells of the dust that composes the universe. Radiant and utterly cosmic, Brighter will transport you through time and space on a wave of happy turbulence.