"When I left school, there were three things I wanted to do before I die. Work for the BBC, work for myself doing the job I love, and record and release an album. Until December last year, I'd settled for two out of three. Now, it is with a deep...
The information boom of the last 15 years has given people a thirst for crate digging. What started on illicit pirate blogs has blossomed into a healthy industry of re-issue labels, and still, the race is on, to find the dustiest, mustiest rarity...
Now that vaporwave has taken over as the cynical soundtrack for the global marketplace, new age is due for a reassessment. On I Am The Center: Private Issue New Age Music in 1950 – 1990, the wonderful Light In The Attic reissue label turns back the...
Listening to the two tracks on the A Side of Francis Harris’ new EP had me Googling the difference between deep house and dub techno, as I was unsure where to place it. If you keep up with the various microtrends of electronic music, you will...
There has been much lamentation and gnashing of teeth about the decaying music industry, with many opinions and conversations about what to do about it. If you were to believe the soothsayers, we'll be reduced to a generation of SoundCloud demoes...
This evening, the spirit of the ’60s seems alive and thriving in the Crystal Ballroom. You can sense the remnants of bands like New Riders Of The Purple Sage or The Byrds, as you set foot upon the legendary bouncing dancefloor. It is a grand...
Clara Moto's second feature-length for InFiné revolves around the theme of remoteness, the feeling of endless travel and longing, and the inevitable distance between a performer and her audience. Blue Distance takes its name from a poem by Sylvia...
On The Window Wants The Bedroom, the debut full-length from Biosexual, the trio of prolific sound artist Zac Nelson, along with Michael RJ Saalman and Jocelyn Noir, it seems like Biosexual is more interested in reflecting the surreal state of modern...