On City of Mirrors, the fourth full-length record from Chicago’s Dos Santos, the five-piece band once again showcases their musical expertise by presenting a rich, multicultural melting pot of sounds. Coming from wide-ranging diasporic...
Photo courtesy of PO Box Collective in Chicago Located in major cities, rural areas, and all types of geographies in-between, DIY (Do-It-Yourself) organizers, collectives, and cultural spaces can encompass everything from music venues in dilapidated...
Early on in What We Left Unfinished, a new documentary from filmmaker and visual artist Mariam Ghani, a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion...
Midway through interviewing Seattle artist and filmmaker Kolby Rowland, I notice that a building I have walked by a zillion times is now overlooking us, dangling a gigantic red and white sign which reads, “FOR LEASE.” Its upper two...
“Have you ever seen ‘Hot Ones’?” he asks me. “The YouTube show?” I’m talking to Kofi Owusu-Ansah, the Ghanian-Australian musician who goes by the stage name Genesis Owusu. He’s halfway across the world...
From 1960 to 1971, the FBI's Counterintelligence Program (COINTELPRO), collected files on more than 250 African American writers, artists, politicians, and activists who they perceived as domestic threats. Among the non-consensual participants of...
Swathed in the unlikely comfort of warm grey tones, Toronto-based musician Hiroki Tanaka (田中博基) can be seen on the album cover for his debut solo record, Kaigo Kioku Kyoku (介護記憶曲), looking fairly somber in a space accented by Japanese relics and the...
Two months following the tragic and unexpected passing of independent filmmaker Lynn Shelton — known for such films as Sword of Trust (2019), Laggies (2014), and Humpday (2009) — Duplass Brothers Productions and Seattle’s Northwest...