Nothing But the Sun (2020), a searing documentary from Paraguayan-Swiss filmmaker Arami Ullón, explores the plight of the Ayoreo, an Indigenous group living with the aftermath of colonization. Translated from its Spanish title, Apenas el Sol, the...
Los Angeles-based filmmaker and public speaker Ashley Eakin’s third short film, Single (2020), became a smash success when it premiered at South by Southwest. Single, which she’s now developing into a series for FX, follows Kim, a glamorous, self...
In July 2020, following the tragic and unexpected passing of independent filmmaker Lynn Shelton — known for such films as Sword of Trust (2019), Laggies (2014), and Humpday (2009) — Duplass Brothers Productions and Seattle’s...
Dos Santos Band Interview: City of Mirrors Dynamically Reflects U.S. Latin American Musical Identity
On City of Mirrors, the fourth full-length record from Chicago’s Dos Santos, the five-piece band once again showcases their musical expertise by presenting a rich, multicultural melting pot of sounds. Coming from wide-ranging diasporic...
Photo courtesy of PO Box Collective in Chicago Located in major cities, rural areas, and all types of geographies in-between, DIY (Do-It-Yourself) organizers, collectives, and cultural spaces can encompass everything from music venues in dilapidated...
Early on in What We Left Unfinished, a new documentary from filmmaker and visual artist Mariam Ghani, a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion...
Midway through interviewing Seattle artist and filmmaker Kolby Rowland, I notice that a building I have walked by a zillion times is now overlooking us, dangling a gigantic red and white sign which reads, “FOR LEASE.” Its upper two...
“Have you ever seen ‘Hot Ones’?” he asks me. “The YouTube show?” I’m talking to Kofi Owusu-Ansah, the Ghanian-Australian musician who goes by the stage name Genesis Owusu. He’s halfway across the world...