Nuclear Power Pants came off create synth-heavy, spazzy, lo-fi garage rock with an interplay between lethargic male and hi-energy female vocals. It’s certainly entertaining, to a degree, with tracks like “Uh Oh” starting off with...
The album cover for Flying Lotus‘ latest EP, Pattern+Grid World, features a close-up portrait of one of Portland illustrator Theo Ellsworth‘s intricate, feathery characters. With an album title like Pattern+Grid World, Flying Lotus...
I’m not sure anyone’s writing shit about the dizzying spiritual discontent of the information/overpopulation age quite as effectively as Black Mountain’s Stephen McBean. Dude just sounds like he’s so far out there he...
The opening track to Public Strain, the sophomore release from the Alberta, Canada band WOMEN, may sound like it is straight out of a slasher film, but there is nothing frightening about this band. Instead of pounding beats that could lead up to a...
I was initially inclined to hate this record, but I found myself humming along by the second track. Seriously. Make no mistake that there’s an audience for a band like The Birthday Massacre and their fourth album, Pins and Needles. Less...
Seahaven came across my inbox as something that was for fans of Crime In Stereo. I usually hate the “RIYL” stickers because they usually sound nothing like those bands. Case in point: Seahaven. While I can understand the Crime In Stereo...
While I tend to harp on this fact, it is incredibly rare to find a label that is a true tastemaker for a specific genre and consistently delivers. For this reason, Hello Sir Records out of Athens, GA stands out and has been an absolute gem of a...
The latest from California-based mathy, spazz-prog masters Tera Melos blends their frenetic brand of technical genius with far more poppy songs and structures. While this might be a turn-off for some die-hard fans, it is not unexpected when looking...