Jason Simpson“Every memory is just a loop. Returning again to places I once was, before, things are never as I remember them. Every home is also a burning house. Loop… and if one could draw this loop differently, then what? Different lengths? Four different...
Pour le Plaisir has been producing, remixing, and collaborating since as far back as 2001. Having released over one dozen records on the French dance label Moleskine, this is his first with the UK’s Blue Tapes and X-Ray Records, a recently revamped...
Effortlessly eternal, Jack Name’s Weird Moons harnesses the same joyous commitment to polyglot musical experimentalism of the likes of Thee Oh Sees and Ty Segall. Simultaneously evoking both the creaky wonder of lo-fi bedroom recordings and...
The idea that the multiverse is more akin to an art project than a science experiment (or an art experiment, if you're so inclined) is one of those Occult themes that typically gets dismissed by both overly scientific and religious types alike, even...
The presence of a certain amount of retro sensibility on Film's Eclipse is indisputable, in fact embraced, but its initially high level of surface visibility only draws attention from the sum of their process for so long. The Vangelis synths and...
With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You’d be well-served to check out every single...
Every record is an island. An artist’s statements shouldn’t always be judged on trends, the label they’re on, or what other people are doing. Perhaps they shouldn’t even be judged against that artist’s own work...
Troy MicheauOne cannot overstate how important it is to receive a record at the right time. That moment when the millions of waveforms passing through the air make way for that particular set that speak to your situation, that synchronize all of the cells and...