Vee Hua 華婷婷Terence Nance and I leapfrog through time and space. Numerous missed connections and mutual schedule misalignments occur until — two weeks later — we finally manage to get on the phone to speak about Nance’s new record, V O R T E X...
For the second year in a row, BAZZOOKAFEST 2022 returns as a free BIPOC-powered music and arts festival. Taking place at Jefferson Park in Seattle’s Beacon Hill neighborhood, the two-day event will feature an array of gender-expansive artists...
On its surface, PARASAiL-18, the 2022 full-length from experimental solo musician The Growth Eternal, comes across as a smooth, harmonious, and vocoder-laden electronic offering. Beneath its surface, however, one finds a challenging, highly-personal...
When it comes to the current state of identity politics, Belgian musicians Charlotte Adigéry and Bolis Pupul check a lot of boxes of diversity and representation. Both have immigrant backgrounds — with Adigéry being of Guadeloupean and French...
Portland avant-pop musician Jesse Carsten, aka Half Shadow, constantly seeks ways to express his dreamy interior world and simultaneously bring listeners into his. Hailing from his upcoming record, At Home With My Candles, the black-and-white music...
Almost immediately after I conclude my interview with Seattle R&B singer Olivia Thomas — who goes by the name LIVt — a crew of people flood into the small basement green room at Barboza. They’re members of the opening bands...
Miles GinozaJJJJJerome Ellis speaks with a stutter. He asked that his stutters be included in the transcription of this interview as a gesture towards others who speak dysfluently, so that they might see themselves recognized here. JJJJJerome Ellis stands with...
REDEFINE’s annual Album Covers of the Year feature consolidates interviews from artists and musicians to highlight philosophical, thematic, and conceptual significance of great album cover artwork spanning a wide range of visual and sonic...