Montreal-based indie band BRAIDS make music that one rarely encounters: music that is meant to be processed and digested, bit by bit, as opposed to gulped down in one large bite. BRAIDS' 2011 debut Nate Dpeaker was a lush, layered, complex swirl of...
“Pop music shouldn’t always get a bad rap,” says Top Pops!, a recurring selection of indie pop highlights across a selection of styles, updated every month to keep you on your dancing toes. This month, we rope in a lot of notable artists with new...
Dim Past probably isn’t going to get too much DJ love for his new EP, Black Dolphin. That’s not a statement about the quality of the music therein, mind you — nor do I mean to suggest that it isn’t danceable. The thing is that this lo-fi rager...
An accomplished manipulator of the recorded aural environment, John Lemke seeks, in People Do, his debut solo album, to fuse the emotive elements from his film work with a sense of rhythm and space.
"You can for sure say that the context directs the music in a certain direction. Songs written on guitars come out different than songs written on pianos. A ghost town is quiet and a perfect place to make recordings. It is a brilliant setting for...
High Wolf is obviously no stranger to complicated instrumental composition. On his most recent release, Kairos: Chronos, he creates a work that is at times elusive, consistently impressive, and stimulating enough to provide ample room for...
On The Dusted Sessions, Date Palms trace a fertile crescent from Nile Delta to Mojave Desert; soaring you though the stratosphere, then plummeting for a McCarthy slow crawl through the dust. Thrill Jockey have been killing it lately with their...
We’ve raved before about the visual work of San Francisco graphic designer and ambient electronic musician Tycho, aka Scott Hansen — but how exciting that similarly-styled graphic designer and director Charles Bergquist has now been...