Restless and inquisitive, communicative and provocative, and above all endlessly entertaining, Gemini energy is a far cry from the sturdy, some-might-say stubborn sensuality of its predecessor Taurus. So buckle up, buttercups! It’ll be a month for asking lots of questions, feeling pulled in opposing directions,...

This week, I found myself at Portland's Doug Fir Lounge three days in a near row. While it is perhaps my second must frequented venue after Holocene, rarely do I have the chance to go so many times in one week, and to observe such varying acts. Hence, in celebration of today's full moon in Gemini -- just like our Intuitive Navigation event tomorrow eve at Holocene -- I shall endeavor a twin review of two notable female acts: Bay Area R&B singer Goapele and indie rock veteran My Brightest Diamond, both of whom put on great shows, but in vastly different ways and to vastly differing crowds. The full moon represents the femininity and intuition, and today's Full Moon in Gemini (during a Sagittarius month) looks to the twin sign for an outwards celebration of life.
My Brightest Diamond and Goapele Live Show Review at Doug Fir Lounge  

Metronomy - I'm Aquarius Music Video
We've coincidentally been featuring a string of sci-fi and space-related music videos as of late, but Metronomy's music video for "I'm Aquarius", directed by French director Edoud Salier, is definitely the most polished of the bunch. Rolling with the punches of singer-songwriter and multi-instrumentalist Joseph Mount's use of astrological references galore, this music video is like a sci-fi book cover turned motion picture style. Retro spaceships float over spacescapes painted in bold strokes, until they finally touch down in a new land, not unlike a modern ancient Egypt, and timed perfectly for the song's ending half, which worms out into ethereal spaces.
Metronomy - I'm Aquarius Music VideoMetronomy - I'm Aquarius Music Video

Natasha Kmeto Interview Photography by Patti Miller
Mystics throughout the ages have sought to express the relationship between birth, death, and time through all manner of ritual and philosophy. In Qabballah, we have the Supernal Mother Binah, who crystallizes Force into Form, thus making us subject to time and decay. In the ancient Greek religions, we have the story of Demeter, whose periodic descent into and return from Hades signifies the cycle of birth and death. And in astrological terms, we have the Saturn Return, which signifies the recurring point where the God of Time returns to the position he held on our chart when we were born. This last concept has worked its way into the modern Western lexicon to the point of cliché, but it serves the purpose of illustrating a point in our lives -- which happens around every 27 to 30 years -- when we are seemingly forced by some unseen hand into a state of brutal self-reflection. It is the mid-life crisis; the night journey; the start of C.G. Jung's path to individuation. Regardless of what we call it, this is an ordeal that most people are at least tangentially familiar with. Some event, possibly innocuous at first, becomes the source of friction that challenges us to engage our assumptions about who we are and what we are doing, so that we might make better use of our time on Earth. Now in her late 20s, Portland electronic musician Natasha Kmeto has felt the impact of her own Saturn Return and emerged from it all the better. Though not explicitly dedicated to the topic, her latest album, Crisis, is a highly personal record about love, loss, and longing that marks a maturation point in Kmeto's musical career. It has also lifted her from the status of popular local artist to internationally-renowned R&B singer and electronic music producer.
"It was my career that facilitated me traveling more and starting to experience different things in my mind, [so] that I kind of realized that the trajectory I was on was not the one that I wanted to be on. I kind of did a 180 and had to get really honest with myself and figure out what I wanted, because I wasn’t happy." - Natasha Kmeto

I discovered the work of Belgian artist Arn Gyssels years ago, thanks to Flickr. At that point, he seemed like he was just beginning to hone in on a tripped out collage style full of decay, glitches, and geometries, and I was instantly captivated. Now, on May 25th, 2012, Gyssels has a solo show in Antwerp, at the H.O.T.F.O.X gallery. Binary Fluidity will showcase "a series of contrasting fluidic forms that are believed to represent, within our own streams of consciousness, certain aspects of reality. It is exactly this content of experience and discovery in all its simplicity that will give the observer a visual tour on the border of an ectoplasmic experience." Gyssels has come a long way in defining his style, and in working his worldview more and more into his visual style. Below is a short Q&A -- just an introductory preview of the artist before a more in-depth collaborative feature with Gyssels and his girlfriend, Line Oshin.

 

(R) "This is one of the creatures that came out of putting black and white acrylic paint on a paper, scanning it in, and mirroring it from one side. You can see some form of underwater intelligent entity."

 

"Love and light. Everything should be treated with the utmost respect and understanding."

 

Sign me up for this show! Together Gallery's offering for the Last Thursday's art walk on Alberta tonight has an opening running from 5:00pm to 10:00pm. What is it? Nothing short of FANTASTIC. Including musical performances by BRAINSTORM and ...