Waiting Game, the latest full-length album from Junior Boys, is the Ontario duo of Jeremy Greenspan and Matt Didemus’ first album in six years. Billed as contemplative, the nine-track record certainly sets the tone for such sentiments from its...
In the recent past, the term “new media” has grown to encompass artists who work in any sort of digital medium. Under that blanket term, augmented reality (AR) and virtual reality (VR) have been gaining traction in many techno-social...
Supreme Short Films at Slamdance 2022: Top Picks in Narrative, Animation, Documentary & Experimental
Slamdance 2022 returns virtually for yet another year in 2022, with access to over 100 films for only $10! Streaming from January 27 to February 6, the 28th edition of the festival yet again commits to supporting independent, emerging artists. In...
Early on in Beans— a coming-of-age film written and directed by Quebec-based Mohawk filmmaker Tracey Deer — a teenage girl and her mom shimmy under their seatbelts and sing along to Snap!’s “The Power” on their way to a...
Synths glittering with starlight. Frenetic breakbeats and chaotic percussion. Within this digital space, Sad China’s brightly autotuned voice emerges on ilyimy, the Vancouver-based singer-songwriter’s debut full-length album. It propels...
Hosted by Three Dollar Bill Cinema and running from October 14-24, 2021, the Seattle Queer Film Festival goes hybrid in its 26th year. All screenings are held in-person at various venues across Seattle and virtually via Elevent, celebrating a...
I was a huge fan of Cadence Weapon’s first two records. Hanging out on Pitchfork-adjacent web forums in my teens, I quickly learned about the inequalities inherent to the music blog meatgrinder that ran the early 2000’s all too well...
Authentic and complex in its storytelling, Kuessipan is a naturalistic portrait of two teenage best friends living on an Innu reserve near Quebec, as they come of age in a colonized country. Loosely based off a book of the same name by First Nations...