The recent attention paid to Africa’s contemporary electronic culture has long been overdue. And while there are many reasons for the heightened interest, none may be more responsible than...
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Lital KhaikinNew York City-based video artist Yoshihide Sodeoka is known for his disquieting psychedelic videos, which are characterized by saturated colors, mythological references and a tense expression of time. Working often on an intuitive level, Sodeoka...
Vee Hua 華婷婷For “Peppermint”, Julio Bashmore’s collaboration with Jessie Ware, director Noah Harris offers viewers an abstract glimpse into his rave experiences and headspaces from the ’90s. Using found and 3-D printed objects, Harris...
"In this series of works, I invited intimate friends over to tell me a secret as I took their portrait. However, my intention was not to hear their secret, but to capture the expressions of each one at the moment they revealed their secret. I also...
One pervy frog man gets down in the music video for Weaves‘ “Motorcycle”, where vaguely sexual lyrics turn into an animated tale of a naughty amphibian’s newfound, crotch-heavy love for his newfound motorcycle. This animated short is the product of...
MADNESS! is a recurring series of audio WTFs and head-twitching, spine-tingling experimental or chaotic fun (k-k+st-s-t+l-l)icks. Today, Aperiodic bring chaotic free jazz noise, and we pay slight homage to past sounds via Finland’s haunting...
AURAL DEVASTATION is a regular column about heavy music. Today, Converge reasserts their importance, and Pig Destroyer get covertly political, arguably. +++ FULL POST + AURAL DEVASTATION COLUMNS + ALL MUSIC COLUMNS Converge Few bands have remained...
September 30th, 2012 @ Roseland Theatre, Portland, OR +++ SEE ALSO: FULL SHOW REVIEW + DUSTIN WONG + THRILL JOCKEY RECORDS On recording, I absolutely adore Beach House, but every time I see them in a live setting, I find myself disappointed by the...