"When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things." - 1 Corinthians 13:11, King James Version
Kissinger Album Review
Childhood's End, by the Croydon, UK producer Kissinger, is the first of a two-part space opera, soundtracking the loss of innocence for a planet, a society, and an individual. It shares its title with a famous sci-fi novel by Arthur C. Clarke, where humanity meets its doom at the hands of an extraterrestrial race that look like the Biblical devil. Kissinger's record, however, isn't as bleak or as dystopian as Clarke's novel, reminding us that growing up needn't be all bad. You're able to do what you want, go where you please, eat dessert for breakfast, stay up all night, and decide where you'll live or who your friends will be. In a lot of ways, adulthood is just the best parts of childhood, refined and taken to their logical, and awesome, conclusions.

Anthony Naples - Body Pill Album Review
A lot has been made of the importance of narrative to any kind of instrumental, or wordless, music. This may hold doubly true for electronic music, which speaks in its own vocabulary and operates in its own paradigm, with its own taboos every full electronic album needs to be some grand, convoluted concept album, like a journey through a body or a soundtrack for a race of amphibious extraterrestrials. Though fascinating, one might argue that this overlooks a producer's personal journey, as a compelling narrative.

 

Curated by vVv Stardust & Serious Moonlight of Intuitive Navigation, of Portland’s newest radio station, XRAY.FM — xray.fm/programs/intuitive-navigation — for PICA (Portland Institute of Contemporary Art)’s Giving Tuesday fundraiser....

2014 was an amazing time for music, and this year, rather than asking the Gina Altamura and Van Pham of the interdisciplinary Portland venue and nightclub Holocene to list their favorite up-and-coming Portland musicians, we decided to give them the opportunity to highlight their favorite shows of 2014, both local and international. The dynamic result is not exclusively Holocene-centric, and definitely gives ample nods to Portland's experimental music scene.
PHOTO: SZA @ Holocene, Courtesy of Red Bull Sound Select SEE ALL POSTS RELATED TO: PORTLAND MUSICIANS + HOLOCENE PORTLAND  

SVN SNS RCRDS stands for Seven Sons Records; we're a small independent music label from Paris, France, founded in 2010 by David Gamelin and myself, Alex Poveda. A couple years ago, Thibault Signourel, Editor for the French webzine Hartzine, joined us in the adventure. Originally...

Speculative visions and first forays in to the future have a way of quickly dating themselves before that future they portend has a chance to fully arrive. The result of this effect is the opposite of the one intended; they become mired in their present moment, ultimately signifying their own time much more than the one they were intended to herald. But what happens when such things rise again? Think of virtual reality: after an immediate cultural peak in the early 1990s with that Aerosmith video and the awful Lawnmower Man (1992) film, popular interest in the technology rapidly dwindled.It never exactly went away, though, and has in recent years received renewed attention thanks to the gaming and film industries and products like the Oculus Rift. Having circled back around from Jetsons-like cartoon status to being something that people are excited about again, virtual reality, as a concept, now exists in a kind of duality, in the perception of it. Because that '90s legacy is still so burned into the public consciousness, virtual reality retains its retro-ness, but now it also gets to say "I told you so."

With wide-reaching arms and hungry ears, each of our writers has compiled his or her top albums of the year, for you to peruse our eclectic, atypical, and only occasionally overlapping tastes. You'd be well-served to check out every single record here.
Vivian Hua - dance, indie, pop, psychedelic, electronic Troy Micheau - metal, electronic, experimental, ambient Jason Simpson - pop, soul, electronic, ambient Ian King - electronic, ambient, instrumental, pop Peter Woodburn - ambient, metal, garage, indie Judy Nelson - dance, electronic, indie, pop, hip-hop Albums of the Year 2014

This week, I found myself at Portland's Doug Fir Lounge three days in a near row. While it is perhaps my second must frequented venue after Holocene, rarely do I have the chance to go so many times in one week, and to observe such varying acts. Hence, in celebration of today's full moon in Gemini -- just like our Intuitive Navigation event tomorrow eve at Holocene -- I shall endeavor a twin review of two notable female acts: Bay Area R&B singer Goapele and indie rock veteran My Brightest Diamond, both of whom put on great shows, but in vastly different ways and to vastly differing crowds. The full moon represents the femininity and intuition, and today's Full Moon in Gemini (during a Sagittarius month) looks to the twin sign for an outwards celebration of life.
My Brightest Diamond and Goapele Live Show Review at Doug Fir Lounge  

Recently back in the spotlight with their latest record, Cosmic Logic, Peaking Lights have left behind the laid-back grooves of their last two full-lengths, 936 and Lucifer, to embrace full-on the ostentation of a dance record. Cosmic Logic is guaranteed to throw the duo's long-time...