Vee Hua 華婷婷"There is a certain overwhelming feeling that I get when I think of the Sahara or the Gobi, a place where nothing changes. It could be 2,000 years ago or 2,000 years from now and you wouldn't know the difference. It humbles you." - Lyonnais
SPECTRAL HYPNOSIS A recurring series, featuring mesmerizing songs for one to lose sense of time and space, mind and body. Here, we start off a bit rowdy with Tassels and sink slowly into the enchanting mellow instrumental shores of Grapefruit and...
VOLCANIC REMNANT, MAELIFELLSANDUR, ICELAND Bright green moss has colonized a hill in the middle of Maelifellsandur, a black desert of lava and volcanic ash in Iceland. The hill is all what remains of a once active cinder cone, ground down by ice of...
"There are ongoing themes in my art that involve the clash of technology with the natural world as well as my own human guilt for being a part of that encroachment by default."
With variation in degrees of shading and texture, the black and white watercolor and graphite pieces by Ottawa’s Nimit Malavia seem to be caught in varying degrees of completion. The epic 26 Point Stag, above, seems like a page out of Greek...
UK musicians Amplifier are offering an insane limited edition treatment for their album, The Octopus, complete with silver cover made of KEVLAR, an animation, and a three-disc box set. Limited to 750 copies, below is a sampling of some associated...
In this compound post for Danish band Sleep Party People, we review the music videos for “Chin and “A Dark God Heart,” and continue with an album review and full album stream for their latest, We Were Drifting On A Sad Song. Sleep...
"The training I received as as an illustrator emphasized the importance of aesthetic versatility. The way something is illustrated can have a big impact on the narrative. A lot of my technical work focuses on the tangibility of aesthetic."