When a visitor walks into the office of Seattle’s Moving Image Preservation of Puget Sound (MIPoPS), their eyes immediately take in racks of blocky recording equipment and bundles of...
Read onTerence Nance and I leapfrog through time and space. Numerous missed connections and mutual schedule misalignments occur until — two weeks later — we finally manage to get on the phone to speak about Nance’s new record, V O R T E X...
JJJJJerome Ellis speaks with a stutter. He asked that his stutters be included in the transcription of this interview as a gesture towards others who speak dysfluently, so that they might see themselves recognized here. JJJJJerome Ellis stands with...
In an extensive tale of musical catharsis, Indonesian singer-songwriter GANGGA aka Gangga Kusuma, has collaborated with film director Ivan Saputra Alam of Athea Visuals on a four-part music video series designed to illustrate the ups and downs of a...
Early on in What We Left Unfinished, a new documentary from filmmaker and visual artist Mariam Ghani, a man in jeans and aviators strides towards a burning tank in the desert and throws a ruthless punch at the man who set off the explosion...
In a powerhouse collaboration between Portland musician Dolphin Midwives and interdisciplinary visual artist aesthetic.stalemate, the music video for “Break” comes from Fisher’s forthcoming record, Body of Water, which explores...
Stitching together “sparkles of ideas,” musician Nandi Rose aka Half Waif and director Kenna Hynes turned one-off creative visions into a four-part video series full of ambitious sequences. Proving their “magical and...
By the time I enter the spacious warehouse in Red Hook, Brooklyn, Danish-Kenyan movement artist Phyllis Akinyi has already begun her performance. I hear her before I see her. A repeating loop plays overhead, with an off-kilter rhythm and the...