Hypnotic new tracks from Stellar OM Source's latest RVNG Intl release, Nite-Glo, plus a track premiere for "Big Metal" by Portland's HITS (featuring members of the now-defunct Explode Into Colors and !!!, who crafted their record at Andrea Zittel's A-Z West compound in Joshua Tree....

Metronomy - I'm Aquarius Music Video
We've coincidentally been featuring a string of sci-fi and space-related music videos as of late, but Metronomy's music video for "I'm Aquarius", directed by French director Edoud Salier, is definitely the most polished of the bunch. Rolling with the punches of singer-songwriter and multi-instrumentalist Joseph Mount's use of astrological references galore, this music video is like a sci-fi book cover turned motion picture style. Retro spaceships float over spacescapes painted in bold strokes, until they finally touch down in a new land, not unlike a modern ancient Egypt, and timed perfectly for the song's ending half, which worms out into ethereal spaces.
Metronomy - I'm Aquarius Music VideoMetronomy - I'm Aquarius Music Video

Last month, I came across a music video that Total Enormous Extinct Dinosaurs called, "one of the best music videos I've seen in a long time": a live performance by iFani EWE in the Johannesburg neighborhood of Soweto. Having just seen a South African dance documentary called The African Cypher, this assertion of "best" did not hold true for me; awesome dance is threaded throughout the country's musical and social culture of SA. This reminder did, however, lead me to dig deep into South African music videos to hunt for visual and sonic gems -- the best of which I have shared in this post. (No Die Antwoord on the basis on their being well-known by all.)

Mafikizolo ft. Uhuru - "Khona"

I recently stumbled across this website called OkayAfrica, and it is definitely one of my favorite new internet finds. Of their recurring posts are summaries of notable African fashion designers to watch out for, and the fashion in this music video for "Khona" reminds me of these top designers in some ways. Geometric shapes and bright colors abound, abound, abound, in eye-catching ways galore. Glittered male dancers dive and swoop around a strong female lioness and a hypnotic rhythm, pushing "Khona" hard as a visual highlight and a repeat listen. DOWNLOAD MP3 [audio:/wp-content/uploads/2013/08/Uhuru-ft-Mafikizolo_Khona.mp3|titles=Uhuru ft. Mafikizolo - Khona]

 

Layla Sailor's gorgeous photo series, Kokoshnik, examines the traditional Russian headdress in a gloriously colorful and modern fashion. Historically worn by married women from the 16th to 19th centuries, the customary kokoshnik is generally characterized by a nimbus crest-like shape and decorative design. By contrast, Sailor's photos, a collaboration with designer Lisa Stannard, are an apt abstraction of the traditional headdress, incorporating lively geometric forms as well floral and animalistic elements, while honoring the intense, ornate design of the traditional pieces. The impetus for the series was to challenge how pattern is photographed, but nearing its completion, Kokoshnik took on additional meaning, as a way to show support for the members of the feminist punk rock group Pussy Riot, a feminist punk rock group who were protested the Orthodox Church's support of Vladimir Putin on the soleas of Moscow's Cathedral of Christ the Savior and were subsequently arrested. In Sailor's photo, the phase “Let Our Sisters Go” is placed prominently and resonates as solidarity for the cause of freeing Pussy Riot. The Kokoshnik project is exemplary of Sailor's affinity for color and her talent for displaying imaginative and cinematic images.In the interview below, Sailor dishes on her dreamy style, her lifelong passion for folk art, and the distinctions between commercial and personal work.

 

At certain times in the lives of those who listen, dreams, both in wake and at rest, can serve as a rich breeding ground of inspiration. Tapping into our subconscious can bring about flurries of sonic or visual cues from which to further develop ideas, and for artist-musicians like Christelle Gualdi of the solo electronic project Stellar OM Source, such a practice might even be the initial spark of a music video to a song you'd written. In describing the vision in her mind's eye, Gualdi explains:
"While waking up one morning, an image of a Japanese girl dressed in a kimono and walking along the edge of a swimming pool surrounded by fog appeared to me. This image became the inspiration point for "Polarity". I developed the abstract narrative arc from this conscious dreaming: the women, the kimonos, the water choreography and the reflective play of light. "As we shot, the pieces fell right into place. The set felt like an animated fashion shoot, exaggerated details in the exchange between the beautiful women of the water. A feel of mystery and expectation initiates the sequences. I needed a central character to direct the energy flow, and the girl in blue face became this. When she submerges underwater, we understand her role. The flashbacks explain more before the ballet begins. The object of their dance is revealed in the end: polarity as an exchange of beauty."
Gualdi's physical interpretation of this vision utilizes underwater cameras and minimal but rich abstractions, as if to capture the qualities of the subconscious in symbolic form. In the Q&A below, she further expands on this music video, both with regards to its concept, inspiration, and execution.