Photograph by Abe Mora Lightswitch, the six-track EP from New Zealand-based Persian rapper, CHAII, draws upon her visual art background and comes paired with six highly-stylized music videos that span continents. Including a three-part series shot in Oman -- which involves a rich roster of local residents and aims to portray...
Self-referential yet self-governing in the best of ways, the music video for Pantha Du Prince's "The Winter Hymn", directed by the musician Hendrik Weber himself, culls together years of video footage to offer a look into his recent collaboration Scott Mou, aka Queens, and Bendik Kjeldsberg of the Bell Laboratory....
"It really comes down to sustaining a living as a creative entity, both for ourselves and our collaborators, through a holistic ecosystem of our own design. That, and feeling like we've contributed to the world with something good and inspired, rather than just more noise." - Colin Stutz, Co-Founder of...
"Culturally, there is the expectation that when a woman wears certain items of clothing, she is expected to act a certain way. I wanted to wear clothing that made me feel sexy, without the demands of needing to act that way. I could scream and shout in a miniskirt, or...
Hypnotic new tracks from Stellar OM Source's latest RVNG Intl release, Nite-Glo, plus a track premiere for "Big Metal" by Portland's HITS (featuring members of the now-defunct Explode Into Colors and !!!, who crafted their record at Andrea Zittel's A-Z West compound in Joshua Tree....
In this slow-moving dream world, long-time collaborators Kahlil Joseph and Shabazz Palaces focus their eyes on a number of figures inhabiting different spaces: a blue-faced boy sitting on a beach; a figure scampering across a dark room; a strong woman standing tall in the breeze. It’s a fashion video that...
“We read a lot of books on meditation – a lot of books on magic, numerology, astropsychology; quantum physics… and one thing that we always find is that the visuals are always really cheesy...
The impetus for the series was to challenge how pattern is photographed, but nearing its completion, Kokoshnik took on additional meaning, as a way to show support for the members of the feminist punk rock group Pussy Riot, a feminist punk rock group who were protested the Orthodox Church's support of Vladimir Putin on the soleas of Moscow's Cathedral of Christ the Savior and were subsequently arrested. In Sailor's photo, the phase “Let Our Sisters Go” is placed prominently and resonates as solidarity for the cause of freeing Pussy Riot.
The Kokoshnik project is exemplary of Sailor's affinity for color and her talent for displaying imaginative and cinematic images.In the interview below, Sailor dishes on her dreamy style, her lifelong passion for folk art, and the distinctions between commercial and personal work.
Lansè Kòd (The Rope Throwers) 1996
Madanm Lasirèn (Madame Mermaid) 2003
Madanm Lasiren Andre Ferner, 59 years
Lasiren is a spirit that lives under the sea and does mystical work there, she is a Vodou spirit, I dream of Lasiren all the time. That is the reason I do Lasiren for Mardi Gras. I chose Lasiren because my grandmother, father and mother all served the spirits, I love her & honour her. The baby that I carry in my arms is the child of Lasiren who is called Marie Rose. When I walk the streets I sing her song which goes ' I am Lasiren and I cry for Lasiren, when I work mystically in the night bad luck can come my way'. I prepare for Lasiren by putting on a hat, a mask and carrying an umbrella. I put on a necklace and gloves. This necklace is called Mambo Welcome, it is a fetish. Because Lasiren is a fish she has to disguise herself as a woman to be at Mardi Gras. My mask and hat cover her fish's head. And the dress she wears covers her fish's tail. The chain I wear is a sacred chain. Each year I change the disguise and fashion a new baby. In order to get inspiration I go to the place where the big beasts live and they instruct me how to do Mardi Gras. I have been doing this for 18 years. Before that I did another Mardi Gras call Patoko. This was a group of men who were dressed as women, with a nice dresses and high heeled shoes. We did a marriage between men and woman on the street. After that we had a group called the duck who carried brushes in their hands wearing blue trousers, white t-shirts, new sandles and a scarf around our waists. We swept the streets of Jacmel. I have always found a way of doing a Mardi Gras.