Every year, Bruise Cruise transports a cruise-load of individuals from Miami to the Bahamas, for an alcohol-fueled and music-driven party on the water. This year’s seven-concert event will take place over the course of four days, hosted by...
Canada has given us a lot to work with in terms of music, specifically indie rock. Scores of baby Brooklyn bands have tried to imitate the success of giants like Broken Social Scene, Godspeed You! Black Emperor, and Arcade Fire, with mixed success...
This is the kind of album that is familiar the first time you hear it. And that is not to say that it is derivative of any pre-established sound, but rather chock full of diverse influences. Whether intentional or not, I can hear some Echo And The...
For The Acorn’s latest album, No Ghost, band member Howard Tsui was enlisted to create the album artwork. The chosen cover piece, entitled Spectral Residue, is thematically appropriate, and showcases Tsui’s knack to draw influence from...
Keith Canisius’ latest album, This Time It’s Our High, starts off as an annoying reminder as to just how much excellent music exists which you will probably never, ever hear about. The burden is almost crippling. At some point, though...
Over the years, and with each new release, Seattle-based Say Hi seemed to lose a touch of its eccentric bedroom-pop quality. The music remained endearing, but was clearly transforming into something more “grown-up.” Luckily, the sole...
This mixtape is composed of songs released by Own Records, a small independent label based in Luxemburg (Europe). Despite the diversity of these tracks, we like to believe that you will recognize the thin red line that moves us.
Like so many one-time buzz bands, Fujiya & Miyagi has one trick, and it used to be able to do it well. The band’s brand of lo-fi funk mixed with elements of krautrock did have some high points. Tracks like “Sucker Punch” and...