Douglas MillerSounding sharper and more focused (dare one even say “concise”!) Pelican offer up their fourth long player, What We All Come To Need, their second for venerable heavy label Southern Lord. While its predecessor, City Of Echoes, featured...
Ryan PangilinanWithout question, post harbor. is easily one of Seattle’s most underrated bands at the moment. Their debut album went under the radar back in 2007, but their sophomore release, They can’t hurt you if you don’t believe in them., is...
Peter WoodburnThere is a tendency to label anything instrumental as being post-rock. I’ll take it in stride as I know that genre tags are just that — something used to perk the interest of your listeners. They’re tags used to get them to pick up...
Stuart AisbittWithout lyrics, instrumental music often gets confined to the background, serving as an accompanying soundtrack to a movie or television series. Fortunately, despite having songs that were used on the TV adaptation of This American Life, Pale White...
Keith Cushner"We knew we were never going to be the same band that we tried to be between 1998 to 2004. Back then, we could dedicate everything to being in a band, being poor..." -- Tom Reno
Vee Hua 華婷婷João Orecchia has a new album coming out on Portland-based label Other Electricities. Here’s a video for “Falling Out,” which gives animations textural treatments and delves in and out of digitalized landscapes layer by layer...
There is something going on in Motion Turns It On’s album Kaleidoscopic Equinox. There is a lot going on. And sometimes it is almost too much to take in at once. The trio take the idea of the instrumental post-rock genre and put it on the...
So I got the new album from Motion Turns It On to review and after giving it one listen, I am hooked on the massively spazzy/jazzy sounds this instrumental-ish band is throwing out there. But, they don’t have a lot of material out there, only...