Portland electronic artist Contact Cult gets some meditative analog video treatment from artist Ritzy Sheens, plus Israeli improvisational band We Are Ghosts show what it's like to jam out in the desert....
Set almost exclusively in a tiny courtroom, Gett: The Trial of Viviane Amsalem, is an Israeli-French film about a couple's lengthy battle for divorce. Simple from its get-go, the film's major strengths lie in its tense appeal and multiple layers of meaning, which build slowly through use of seemingly trivial gestures. Director-siblings Ronit Elkabetz and Shlomi Elkabetz use the limitations of space, time, and color to give viewers a glimpse into Israeli society, where religious views and patriarchy can dominate female rights.
The Portland International Film Festival (PIFF) is back, this year with numerous can’t-miss films from all corners of the globe. The festival screenings kick off February 5, 2015, and continue through February 21 at various theaters around Portland. Over the next several weeks, check back here for in-depth reviews of those screenings -- but in the meantime, study up; we've culled together a list of the most tantalizing offerings you'll want to check out.
Schedules are subject to change, so please consult the official festival website before you head out!
Jauja, directed by Lisandro Alonso
The Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to summarize the most interesting, socially-conscious, and boundary-pushing of the bunch.
This year's festival runs from February 7th through the 23rd, beginning with an Opening Night celebration featuring Blancanieves, a silent Spanish reworking of Snow White. Purchase tickets and find out more.
Our festival preview begins below with this year's top five picks, followed by the rest in alphabetical order.
Beyond The Hills
Directed by Cristian Mungiu (Romania)
Based on the novels of Tatiana Niculescu Bran, which are real-life documents of demonic possession, Beyond The Hills is a bleak and stark religious drama set an Orthodox monastery in Moldovia. Though Alina (Cirstina Flutur) heads to the monastery to convince her friend Voichita (Cosmina Stratan) to leave and return to Germany, Alina finds herself sucked more and more into the environment and its callings. Flutur and Stratan both shared the Best Actress Prize at Cannes Film Festival for these performances.
Sat, Feb 9, 2013 at 8:30 PM (Whitsell Auditorium)
Wed, Feb 13, 2013 at 7:30 PM (Regal Lloyd Center 4)
Directed by Margarethe von Trotta (Germany)
Based on the life of German philosopher and writer Hannah Arendt, Hannah Arendt chronicles her writings for The New Yorker on the 1961 war crimes trial of Adolf Eichmann. Eichmann covered a scenario that was not black and white but veiled in greys, causing great conflict and protest amongst an American public and the publication's editing staff. Hannah Arendt is a drama about journalism, and the social duty of reporting as one sees as truthful, rather than as it is idealized or pressured to be.
Sat, Feb 16, 2013 at 8:45 PM (Whitsell Auditorium)
Mon, Feb 18, 2013 at 5:15 PM (Regal Lloyd Center 4)
Directed by Xavier Dolan (Canada)
Despite being happy and in love, high school teacher Laurence finally reveals to his girlfriend Fred his long-standing desire to become a woman. Fred agrees to support him on his quest, though once the transformations begin, social complications begin to pressure, ostracize, and place fear into the hearts of the couple. Through it all, Laurence Anyways is a tale of love and the ability to weather storms for it.
Sat, Feb 16, 2013 at 8 PM (Cinema 21)
Wed, Feb 20, 2013 at 7 PM (Regal Lloyd Center 10)
Directed by Lucien Castaing-Taylor, Véréna Paravel (United States)
Leviathan presents experimental filmmaking at its finest or its worst, depending on your opinion of macro-view, immersive documentary art. The New York Film Festival describes Leviathan as "a hallucinatory sensory experience quite unlike any other", and the trailer is seems to assert this with views of commercial fishing, as presented with only abstract sounds and imagery.
Sat, Feb 9, 2013 at 3:15 PM (Whitsell Auditorium)
Wed, Feb 13, 2013 at 6 PM (Cinemagic)
Directed by Cate Shortland (Australia)
After World War II and the death of Adolf Hitler, five young children are left to fend for themselves when their Nazi SS parents are captured. In an attempt to reach their grandparents in Hamburg, they traverse 500 miles of changing landscapes, meeting unfortunate families along the way and finding a savior in a young Jewish man whose kindness goes against all of their programmed teachings.
Sun, Feb 10, 2013 at 7:30 PM (Whitsell Auditorium)
Mon, Feb 11, 2013 at 5:45 PM (Regal Lloyd Center 10)
The 2012 Seattle International Film Festival begins on May 17th, 2012! In the next few days, we will be providing film previes for our top SIFF picks of the year. Times and dates are subject to change, so please visit siff.net before heading to theatres, or see the Docsfest for all documentary films presented.
AI WEIWEI: NEVER SORRY
Directed by Alison Klayman
A feature-length documentary about Chinese contemporary artist Ai Weiwei, an influential and ground-breaking liberal artist considered a "God of Love" or the "Beijing Andy Warhol." He controversially goes as far as giving the middle finger to the Motherland and telling it, "Fuck you."
May 18th @ 6:30pm, AMC Pacific Place 11
May 19th @ 4:00pm, AMC Pacific Place 11
Up through the end of this week at Carmichael Gallery in Culver City (5795 Washington Blvd.) is a globe-trotting exhibition with a somewhat street art lean.
The appearance of materials such as stencils, spraypaint, and unconventional installation materials makes sense when one considers the curator of the show is none other than Los Angeles street artist Bumblebee -- an individual that really runs with his moniker to create miniature beehives and models that he attaches to abandoned phone booths. In this group show, he pulls his work off the street and into a gallery setting. What is perhaps most impressive about the curation of this show is that beneath its sophisticated facade, each and every artist knows how to get down to the nitty-gritty and how to take his or her works to the street.
Perhaps this quote can serve as a fitting summary for this show:
"There are many artists in the urban / street art movement. For this show, each artist was selected based on his or her unique voice and ability to push the boundaries of the genre, while remaining true to its origins." - Bumblebee
Valencia by way of Buenos Aires artist Hyuro makes drawings which blur the lines of where individuals begin and end. A heavy aspect of this all-in-oneness lays focus on hair, which she textures delicately and with great dimensional purpose. Expect a post soon about her street art brilliance.
Portland International Film Festival (PIFF) is upon us again, and we have whittled down their list of 100+ international shorts and full-length films to pick what we have determined to be the best and most interesting of the bunch.
Portland International Film Festival 2012 runs from February 9th through the 25th,...
A suite of amorphous blobs unify Battles' year of singles and full-length releases. Different in material and style yet similar in overall form, these sculptured mounds are colorful, strangely compelling, and without a doubt represent some of the most visually iconic album art off 2011.
How To Die In Oregon
This film does not beat around the bush. Beginning with a terminally-ill cancer patient who dies on camera, How To Die In Oregon explores the sensitive issue of physician-assisted suicide.
Directed by Peter D. Richardson - UNITED STATES
Sun, Feb 20 @ 9:30am (B1)
Mon, Feb 21 @ 7:30...