Proudly known as “The First Home to Asian American Cinema, the New York-based Asian American International Film Festival (AAIFF) entered its 44th year in 2021. Running from August 11 to 22, the festival was presented with a hybrid in-person...
To an impresario like Japanese musician Masayoshi Fujita, switching from vibraphone to marimba is a move that doesn’t come lightly. His latest album, Bird Ambience, contains the spirit of intrepid exploration; the first sketches of a master artist...
Swathed in the unlikely comfort of warm grey tones, Toronto-based musician Hiroki Tanaka (田中博基) can be seen on the album cover for his debut solo record, Kaigo Kioku Kyoku (介護記憶曲), looking fairly somber in a space accented by Japanese relics and the...
It’s an unassuming video. Just 17 minutes in length and made up of exactly what it’s title promises, Stack Until it Falls Down is redundant, slow, and rather dull. It’s also hypnotic, soothing, and exactly the meditation we all need right now. Born...
On March 15, 2015, the Washington Post published a typically buzzworthy article titled, “Is the Internet Giving Us All ADHD?”. The article begins with the usual litany of start-of-days, most likely familiar to anyone who works at a desk...
Another year has come and gone for the Seattle International Film Festival, and this year, our top selections include a lot of black comedies and films that capture the power of human emotion, in all of its positive and negative facets. Here are...
In reviews for Kikagaku Moyo’s House in the Tall Grass, some have implied that the Japanese psych folk up-and-comers are simply rehashing old ground. Consider a sentence from Danny Riley of The Quietus, who writes, “The problem comes...
As per usual, we here at REDEFINE have done the hard work of going through SIFF 2016 (Seattle International Film Festival)‘s extensive three weeks of programming to bring you a carefully curated short-list of films you should actually go out...