Matthew CarterNovember 2nd, 2011 – The Casbah – San Diego, CA The crowd at The Casbah seemed to lovingly embrace fem-fueled rock and three-pieces at the tour stop for Shonen Knife and Oakland’s Shannon And The Clams. Between all three acts, all...
Vee Hua 華婷婷On a recent trip to New York City, my friend had mentioned that Latin American families seem to bring their children just about everywhere to have a good time. Whether it be in a park at midnight or a used bookstore, it’s more the notion of...
Ambiguity is one of the most powerful tools performers are using to draw us into their work. In the case of Japan’s Offsite Dance Project, uncertainty dictated everything the audience did, starting with when we gathered into the Olympic Mills...
As of Day 9 of TBA, I’m tentatively awarding Michael Reinsch’s Gallery Walk “Best in Show.” Reinsch’s performance involves him lumbering about the city in a big white box, embodying the construct of the modern white...
September 15th, 2011 – Holocene, Portland, OR I have eternally been confusing Twin Sister with Twin Shadow, and that confusion had led me to be less than interested in Twin Sister. Thanks to MusicFestNW, consider me relieved from my stifling...
The story of the Cardiff Giant, a colossal “petrified man” unearthed from a fake archeological site in upstate New York in 1869, is a phenomenal object lesson for cultural production, and David Eckard’s ©ardiff performance makes...
Although, the sophomore album from Ganglians opens with the perplexing dedication, “This is a sad sad song for all you sad sad people,” it quickly becomes evident that the objective of the album is actually to brighten up lives with the...
Peer through crystal balls and tunnel through holes full of religious iconography, facepaint, starry lights, and animation. This video for “Spacetime” is reminiscent of some kind of cross between shamanistic rituals, voodoo magick, and...