Another year of our favorites in Top Album Cover Artwork, and once again, we interview musicians and artists on the often-underappreciated work that goes into creating a product that not only tickles your ears, but speaks to your eyes and hearts. Album artwork, though often...

Bumbershoot Festival signifies a lot of things for Seattle, but the main mark of Bumbershoot is that fall is upon us. The annual Labor Day arts festival in downtown Seattle traditionally comes with both good weather and the need for umbrellas, aka a bumbershoot. Bumbershoot’s place in music festivals across the nation includes one big distinction; it name isn’t merely the Bumbershoot Music Festival, but the Bumbershoot Music and Arts Festival. The addition of arts is noticeable, for as much music stretches across multiple stages in Seattle Center, there are just as many comedians, writing panels, art exhibits and impromptu busking performances on the festival grounds.

Gary Numan

Bumbershoot has always done a great job of getting some old school acts to show their face, and the crowd make-up is always funny because of it. Those watching Gary Numan were no different. Numan has been churning out music since the late '70s, but the majority of today's youngsters know him for the chart-topping hit "Cars" and its early, slightly rudimentary use of electronica in music. I am also one of those ignorant youngsters, aware of who Numan is and his contributions as one of the pioneers of electronica and gothic rock, but with really no idea what he truly sounded like outside of "Cars". To almost put Numan's performance in a nutshell, I'll direct you to the tweet I sent immediately into his set (ignore my typo please, and for my shameless Twitter plug, follow me here). As dusk set, the lights were blaring for Gary Numan, who even at the age of 55, contorted his body for dramatics at angles I haven't hit since I was four-years-old. Gary Numan was just heavy as shit, and it was awesome. Even "Cars", which he launched into about five songs in, was heavy as shit and all of it was unexpected for my ignorant ears. Gary Numan's performance was watching all the precursors for Trent Reznor laid out right in front of you, and almost seemed like a live-action History Channel viewing. Bumbershoot has always been the best about scheduling these kinds of acts, and it was the perfect way to end the first day of music.

In our 2012 Album Covers of the Year feature, we once again get our hands on everyone we can. Through interviews with designers, musicians, labels, and plenty of others, we take a close look at just how many hands are in the pot when it comes to the album artwork process. Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings or artistic mediums, and then are displayed on spectrums. Get started by navigating into any of these six sections: Geometric & Pattern-Based Classically-Influenced Narrative & Symbolic Photography & Manipulations Painting & Illustration Collage, Sculpture & Mixed Media You can also see last year's at 2011 Year-End Respect For Album Cover Art
 

Our third-annual album cover art feature uses interviews with artists and musicians to highlight the philosophical, thematic, and conceptual significance of great album cover artwork. THE BREAKDOWN    12 Collage + 14 Digital Illustration, Drawing, Design + 19 Illustration, Painting, Drawing + 8 Black And White Photography + 22 Color Photography +...

A spectrum of musical madness that represents our tastes from large to small, mainstream to obscure, spaced out to reasonable. There's no way in bloody hell you'll love every release on this list unless you have a million personalities living in your puny body, but...

The influence Robert Pollard's genius still casts on the Central Ohio music scene is kind of unbelievable. In the seventeen years after Bee Thousand rocketed and the then school teacher rose to international semi-stardom and cult icon status, lo-fi bedroom pop has yet to go...

Like a bad '80s movie, this Destroyer video for "Kaputt" starts off as a dude's wet dream. Girls lifted out of an aerobics video dance awkwardly in spandex and leotards, pining for a nerdy-looking individual that is busy sniffing napkins like a creep. From there,...

Fluorescent lighting adorns a living room for a really relaxed performance of "On The Face" from the Lou Barlow + the missingmen (Tom Watson and Raul Morales) album, Sentridoh III. ...

What else is there left to be said about Teenage Fanclub? They've influenced more bands than a porcupine has spines. They've changed with the times, evolving past the era of grunge and alternative almost effortlessly. And they still can write some amazing pop songs, as...