Vee Hua 華婷婷Inside this feature are 98 album covers spanning a wide array of sonic and visual styles, each selected for its own unique contribution to the world. They are not ranked; instead, they are broken down into sections based on conceptual underpinnings...
Looking Through The Glass When I first wrote about the work of Sydney, Australia’s Mark Whalen years ago, I was fascinated by his use of bright pinks and blues in angular ways that can’t possibly exist in “real life”. Now, in...
"There is a certain freedom and release associated with this transformational and transcendent state. That release from the boredom and restraints of life can be incredibly uplifting." -- Matt Scharenbroich
"Every artist has the occasional fit over a project, reaching moments of doubtful frustration, but having the other near, offering words of encouragement and logic, can be even more fruitful." -- Shaun Kardinal
“Love and light. Everything should be treated with the utmost respect and understanding.” - Arn Gyssels
With variation in degrees of shading and texture, the black and white watercolor and graphite pieces by Ottawa’s Nimit Malavia seem to be caught in varying degrees of completion. The epic 26 Point Stag, above, seems like a page out of Greek...
Tessa Hulls"There’s something universal in expressions, but there’s something very much not universal in how we read them, in the way we empathize and connect with each other."
"The training I received as as an illustrator emphasized the importance of aesthetic versatility. The way something is illustrated can have a big impact on the narrative. A lot of my technical work focuses on the tangibility of aesthetic."