"Capitalism drove our expansion westward, leaving an enormous human and environmental cost in its wake. However, the myths surrounding our settling of the west will have you believe something totally different, entwining these events with American values of ‘freedom’ and ‘independence.’ Our history of settling the West is both a...

This audio-visual collaboration between Portland-based avant-garde metal outfit, The Body, and NYC mixed media artist Alexander Barton has been a long time coming, a homage to an enduring friendship. Combining their mutual shared interest in intensity, abstraction, and religious themes, the music video for "To Attempt Oneness" pits The Body's guttural, distorted screams and noisy, rumbling guitars against Barton's bleeding ink painting -- an extension of his earlier performance which used real pig's blood. The final product holds a viewer's fascination with its impressively slow and minimal unfolding, the most entertaining way possible to watch paint dry. To celebrate the very recent release of The Body's Christs, Redeemers on Thrill Jockey Records, we offer you a side-by-side interview with artist Alexander Barton and The Body's drummer Lee Buford, as they speak of music, aesthetics, and the world. The Body are currently on a nation-wide tour; dates at the bottom of this post.
In this stop-motion animation for Pure Bathing Culture's "Dream The Dare", director Hayley Morris -- along with illustration help from Caleb Wood -- turns what PBC describe as "psychedelic emotional imagery" into psychedelic visual imagery. Full of colors soft and bold, an array of whirling geometric shapes and hand-drawn projections comprise landscapes that are ever-mutating, as a raven flies about in its dreamy world. Below, Pure Bathing Culture and Morris share details about the intention behind this track and video, as well as its mythological inspiration and technical details.

Hayley Morris (Director)

Pure Bathing Culture (Musician)

How did your collaboration first come to form, and throughout the process, how much of an exchange of ideas was there?
Hayley Morris (Director)
Sean Pecknold, who made Pure Bathing Culture's music video for "Ivory Coast", was nice enough to recommend me for the "Dream the Dare" video. I loved the "Ivory Coast" video and song and was really excited to have the opportunity to collaborate with Pure Bathing Culture on this video. I love their music. Dan and Sarah were fantastic to work with. They were drawn to the color palettes I use in my work and the dreamy and somewhat psychedelic imagery from my past videos. They were interested in having me bring this aesthetic into the "Dream the Dare" video. Dan and Sarah also felt that having a hopeful message was very important. From these initial guidelines I formed the idea and developed the style. Once I started production, the band trusted me to do my thing.
Pure Bathing Culture (Musician)
Our friend Sean Pecknold, who is an amazing director and animator as well -- and who directed the video for our song "Ivory Coast" -- shared Hayley's amazing video for the Iron and Wine song "Joy" with us. It's such a beautiful video. We immediately knew that we wanted to work with her. We had one initial conversation with Hayley where we shared a very rough stream of consciousness theme involving the crow, and she completely understood and took it from there. She was communicative about her ideas throughout the process, all of which we loved.
In the brightly-colored music video for TOKiMONSTA's "Clean Slate", featuring Gavin Turek, adorable creatures galore get beamed down from outerspace as well as give you control over placing their sticky behinds. This HTML5 and Javascript-driven sticker book features and artwork by Overture and interactive directorial skills by fourclops ::). Here, they share with REDEFINE some of the ins and outs of their collaboration and creative process.

fourclops ::) (Directors)

fourclops ::) are an incredible duo consisting of Jeff Greco and Eli Stonberg, who create interactive music videos for unique web-browsing experiences. Their work for MNDR's "C.L.U.B." takes information from your Facebook feeds and integrates it seamlessly into a music video footage.

Overture (Animators)

A two-person animation, illustration, and live performance unit comprised of Jason and Aya Brown, Overture use intuitive and improvisational collaborative processes to "reach creative places neither could arrive at on their own." This dreamy, jiggling piece entitled "Mr. Sandman" features music by The Kleenrz.
 
Watching a singular man or woman perform behind a stack of electronic equipment can sometimes really fail to really pull the heartstrings; it's easy for a showgoer to disconnect when there's a lack of connection between musical output and the actions a performer is making onstage. To combat this, electronic musicians have, in recent times, turned to innovation in the multimedia sphere to add an extra bit of oomph to their live sets. On Flying Lotus' latest tour for Until The Quiet Comes, he worked with long-time friends and animators to create Layer 3, a one-of-a-kind audio-visual experience that takes showgoers through three-dimensional worlds of tunnels, silly cartoons, metaphysical imagery, and biological forms. But more on that later, for his set with Thundercat had much more to offer than just a visual experience; it possessed a massive amount of novelty all-around.
May 24th, 2013 @ Roseland Theatre - Portland, Oregon
"I think as we get older, that idea of magic is just taken from us. There's just less of it and less of it... I really try to just kind of dabble in things that feel magical." -- Steve Ellison of Flying Lotus

 

To experience Saya Woolfalk's work is to become immersed in a scientific folklore where biology and anthropology inform fables of utopia. In Greek, "utopia" translates literally as "no" (ou) and "place" (topos), and in a collaborative series with anthropologist Rachel Lears, entitled No Place, Woolfalk posits ways in which "no placeians" can more readily become a part of a utopian society. In her most recent development upon this theme, Woolfalk has incorporated a new element -- that of dual consciousness and foreign beings, via the narrative of a fictional species called Empathics. Through the use of psychedelically-colored exhibits, scientific slide shows, dance performances, and a very multi-disciplinary artistic practice, Woolfalk is learning how to use art shows to create utopian worlds in and of themselves.

 

PHOTOGRAPHY BY TANYA TRABOULSI
Jerusalem In My Heart have just released Mo7it Al-Mo7it, and listening to the record may simply hint at the existence of a talented instrumental band. A more appropriate description, however -- known so far to only a select and lucky few in their hometown of Montreal -- is that they are an ever-changing artistic project, which also provides fascinating fodder for cultural commentary. As a true multimedia art installation, they are a sight to behold in a live setting, and also represent a modern update on traditional Arabic music and songwriting, with additional multicultural counterpoints.

 

Decades in the making, the musical duo Matmos have built upon their noisy and experimental past to create increasingly conceptual albums that collide together many worlds of thought and style. On their latest album, The Marriage of True Minds, M.C. Schmidt and Drew Daniel have properly outdone themselves, this time basing their project on a concept so well-crafted that its exact specifications shall never be known by anyone save for the band members themselves. At the heart of these vagaries are experiments in extrasensory projections -- that's right, ESP -- though be not fooled: Matmos are skeptical in their own way. Daniel is quick to drop the fun fact that belief in ESP is still considered a symptom of schizophrenia, so outlandish it seems to scientific professionals -- but all that hardly matters in the context of Matmos' project, for they aren't looking to shift any scientific paradigms. No, they are looking to shift their own musical paradigm, and five years of conducting artistic ESP research and synthesizing its results have led to what may perhaps be the band's most exciting record yet. What's more, Matmos have proven that growing with age and experience have not made them any tamer. Their apparently unyielding desire to explore the strange and experimental is as strong as ever, even if it is taking on many different shapes along the way.