Portland's MusicfestNW has always had one of the more diverse festival lineups around. A large part of that is because -- rather than jamming thousands upon thousands of people asses to elbows in a huge field on some farm somewhere -- MusicfestNW puts the action into venues scattered around Portland, setting the population loose. It is less of a festival and more a set of well-curated shows that all just happen to take place on the same weekend. Accordingly, I skipped around town to see multiple acts, my favorite of which were Godspeed You! Black Emperor at Roseland Theatre, Mount Eerie at Aladdin Theatre, and Frank Fairfield at Bunk Bar.

Mount Eerie

Mount EerieThere are few constants in life, but one thing that can usually be relied upon is that every Mount Eerie performance is going to be different from the last. At this year's MusicfestNW that may or may not have been the case considering Mount Eerie opened for Bonnie Prince Billy two nights in a row at Aladdin Theater -- but if you caught one of those sets, it was probably quite a different affair from the last time you saw Phil Elverum perform. Elverum is an adaptable performer. Aladdin Theatre is a sit-down venue, and a Bonnie "Prince" Billy show necessitates a fairly muted and low-key scene. Sure, the sold-out crowd was buzzing, but they were buzzing about as much as you can for a headliner that plays Americana and folk. Mount Eerie's performance switched to match that feeling in the air. On stage, it was just Elverum with an acoustic guitar flanked by two female singers, singing backup vocals and doing verbal renditions of some of the instruments on his songs. It was a change from sometimes noisy and fairly abrasive solo shows. The chatter overheard afterwards ranged from people wondering who the hell Mount Eerie was to those wondering what the hell Mount Eerie was doing. It was an odd set from Elverum for sure, but a bold one, and one that he hit right on the button. Sometimes -- especially with Mount Eerie's recent sounds -- it's easy to forget how soft Elverum's music is at times (see: “Through The Trees", below). This particular performance was one that seemed a little bit out of left field, but it was one that worked as well if you appreciate the variety of Elverum's music. Editor's Note: We should probably also mention his upcoming November 2013 LP, the ironically-titled Pre-Human Ideas, which features auto-tuned versions of songs from his recent LPs. Yeah. Seriously.

MusicfestNW 2013 began for me like every other MusicfestNW experience. I consistently respect the festival's curatorial efforts, which always yield at least a handful of acts I am excited about, and an even larger smattering that I don't exactly care for but greatly approve of from an objective standpoint. This year, however, I decided to take it preeeeeetty easy, both because I've seen many of the bands in the recent past and because I wanted to save myself for the rest of the September festival whirlwind (Decibel Festival and TBA Festival are still on the horizon). The positive news to report is that I saw no filler acts at this year's MusicfestNW. Every act I saw was fantastic... but here are my top three.

Royal Canoe

It seems that every other year, I find an indie pop band that I instantly fall in love with. I need not hear an entire record to know these folks resonate with me; I need only the first track to sense familiarity. In 2009, that band was Nurses; in 2011, it was Gardens & Villa. 2013's candidate for "band I'm going to pimp out to all my friends" is Royal Canoe. The six-piece Winnipeg-based band traveled across the country to play an opening MusicfestNW slot for !!!, and despite the fact that very few people in the crowd seemed to know who they were, Royal Canoe were instant crowd-pleasers and dance-insinuators. They rolled through tracks almost exclusively from their recent LP, Today We're Believers, with one exception: the ridiculously sex-groovy "Summersweat" from their 2012 EP. Twas a set full of falsettos balanced by deep mutated vocal effects, and topped off by -- not one, but four -- vocalists harmonizing or shouting gang vocals as necessary. Also notable were the double drummers, one of which triggered numerous sounds on an electronic drum pad, and a series of sick ass synths that sprang awesome leads like unstoppable leaks. Royal Canoe are the first indie pop band I've seen in a while who truly seem like they are doing something irreplaceable. Their set is something wholly and bizarrely themselves, and unparalleled. As if in response to my bitching just the day before about the fact that live shows rarely wow me anymore, in Royal Canoe swooped, to uphold my high expectations for them. I'm only sad that even with all my proselytizing, I failed to rouse up much interest from my friends, who were busy with other MusicfestNW events. They missed out. Learn more about Royal Canoe in my interview with them.

What some of us might call the Pacific Northwest's best music festival -- and maybe the next and more relaxed SXSW -- is Musicfest NW, a multi-day spread across Portland's best venues. Featuring diverse and exceptional booking, we've split our coverage this year between indie staples, unconventional dance acts, and heavy riffers. Over the course of four days, we gush about everyone from Hot Snakes to The Helio Sequence, Mean Jeans to Omar Souleyman, John Maus to Pure Bathing Culture... and many more, including Swans, Beirut, and Chelsea Wolfe, to name a few. TEXT BY VIVIAN HUA & ERIK BURG; PHOTOGRAPHY BY LYMAY IWASAKI & NATHAN WATTERS SEE FULL FESTIVAL RECAP & PHOTO GALLERY
Wednesday, September 5th, 2012

Red Fang

When Red Fang’s beardy, Pabst-swilling selves took the stage at Roseland Theater, the crowd thundered with a hand-clapping, foot-stomping welcome as driving as the band’s opening notes. In a bill consisting of them, Hungry Ghost, and Hot Snakes, Red Fang were easily the crowd favorites of the night. They built off of the unintentionally playful sonics of Hungry Ghost by one-upping similar rhythms and stylistic shifts into much gnarlier and more interesting territory. With every seemingly mediocre or white bread songwriting move came the crust of a more delicious lick; their beastly instrumental slaughtering led to their carving out juicy hunks of musical turkey, next to what had previously been cold and bland deli meat. Red Fang have gained an extensive following locally and beyond in recent years, and the ease with which they toe the line between accessibility and unpredictable manipulation is one main reason. Even those who can’t stand their brand of rock can appreciate that they do what they do with a high caliber of professionalism and an impressive display of confidence. - VIVIAN HUA SEE ALSO: CHARITABLE MUSICIANS: RED FANG BENEFIT PORTLAND ARTS EDUCATION (W/ INTERVIEW)

 

MusicfestNW does one of the better jobs in the festival circuit of scheduling the heavy bands. Reason being that MusicfestNW, unlike most festivals, doesn’t take place in one central location. Rather, it is scattered amongst the various venues throughout Portland, Oregon. And although normally walls might seem like a constricting measure in life, the walls of the venue provide a safe haven for the volume to hit extreme levels, the vocals to shriek instead of harmonize, the double bass to reach red-lining beats per minute and the guitar distortion to be devastatingly heavy. Aural Devastation is a recurring column about heavy music.

 

Swans

Seeing Swans is an emotional experience and a tough one to make it through, at that. Charging off the brilliance of Michael Gira and company's epic new release, The Seer, Portland was laid to waste by the heaviness that is Gira’s project. Gira is well-known throughout the live circuit for his intensity, and although he is no longer as confrontational as he was in the early days, his intensity on stage translates immediately and effortlessly to Swans live show. It is a slog that is based on repetitive, almost locomotive-like mashes of noise and distortion. Over it all, Gira can be seen yelling at his band, demanding more energy and channeling some sort of weird musical rage. With every heavy stomp and grimace, one felt Gira’s pain as if it were one's own. There were a few souls in the Hawthorne Theatre without earplugs. They must have ignored the decibel warning on the front door. Not a smart idea. The Seer is a 2-CD record that saw an August 28th release. It is the result of the band's getting back together in 2010, after a 14-year hiatus.

 

What some of us might call the Pacific Northwest's best music festival -- and maybe the next and more relaxed SXSW -- is Musicfest NW, a multi-day spread across Portland's best venues. Featuring diverse and exceptional booking, this year's picks have been written by three writers, each with unique tastes, to do the festival justice.

 

Hot Snakes

Wednesday, 11:00pm @ Roseland Theatre Relatively newly reformed band Hot Snakes saddened the post-hardcore world (and beyond) when they exited the scene after the release of their last record, Audit In Progress. Catch them while you can. - VIVIAN HUA

 

See all Previews & Picks For WEDNESDAY, SEPTEMBER 5

 

Purity Ring

Thursday, 11:00pm @ Berbati's Canadian electronic duo Purity Ring released a fantastic debut album called "Shrines" on 4AD this summer. Though full of mystical electronic layers, the duo's music has a very fresh and pristine sound apt for their band name. Megan James' tender voice sparkles among a bright and absorbing waterfall of percussive sounds and beats. - KARLA HERNANDEZ

 

See all Previews & Picks For THURSDAY, SEPTEMBER 6

 

Music & Movement in Music Video

Friday, 6:30pm @ Holocene This panel will explore how dance and movement intersect with modern music videos. Select music videos will be screened, followed by an open community dialogue with associated dancers, directors, and musicians. Topics covered may include differences in dance styles among different musical genres, trends of modern dance in contemporary music video, and spontaneity versus choreography in the creative process. A related brochure, featuring Q&A with directors and musicians, will be distributed with further information about the participants and videos screened. SEE ALSO: MOTION & MOVEMENT IN MUSIC VIDEOS EVENT ANNOUNCEMENT

 

Black Mountain

Friday, 11:30pm @ Doug Fir Black Mountain are one of the best psych-rock bands out there because no matter how far out the songs get into space, the band always keeps your feet grounded onto Earth. - PETER WOODBURN

 

 

See all Previews & Picks For FRIDAY, SEPTEMBER 7

 

Moonface

Saturday, 12:00am @ Dour Fir Lounge The lesser of Spencer Krug’s numerous projects, Moonface have quietly put out three impressive albums over the course of the past few years. It’s less Wolf Parade and more Sunset Rubdown, if you’re familiar with Krug’s other work, but it also brandishes its own dark, loud mystique. This year’s With Siinai: Heartbreaking Bravery showcases the groups imaginative and unique song writing skills, a heavy and heady album that deserves praise. With all the rotating, busy pieces in the band it’s worth catching Moonface when you can, as they might not ever come around again. - ERIK BURG

 

See all Previews & Picks For SATURDAY, SEPTEMBER 8

 

REDEFINE magazine has teamed up with two of the West Coast's largest festivals, Bumbershoot and MusicfestNW, to present Motion & Movement in Music Videos, a pair of complementary panels exploring how dance and movement intersect with modern music videos. Select music videos will be screened, followed by an open community dialogue with associated dancers, directors, and musicians. Topics covered may include differences in dance styles among different musical genres, trends of modern dance in contemporary music video, and spontaneity versus choreography in the creative process. A related brochure, featuring Q&A with directors and musicians, will be distributed with further information about the participants and videos screened.

 

Bumbershoot

Seattle September 3rd, 2012 Leo K Theatre in Seattle Center 3:30pm - 4:40pm FREE w/ Admission (SCHED EVENT LINK + FACEBOOK EVENT LINK)

MusicfestNW

Portland September 7th, 2012 Holocene 6:30pm - 8:00pm FREE & Open to the public (FACEBOOK EVENT)

Panelists

HONEY OWENS BUMBERSHOOT + MUSICFESTNW Vocalist/Producer, The Miracles Club - "The Wheel" (Music Video Premier) RYAN BOYLE BUMBERSHOOT + MUSICFESTNW Dancer/Choreographer, The Miracles Club - "The Wheel" (Music Video Premier) SEAN PECKNOLD MUSICFESTNW Director, Here We Go Magic - “How Do I Know” ELY (EUGENE LEE YANG) BUMBERSHOOT Director, Polica - “Wandering Star” AMY O’NEAL BUMBERSHOOT Choreographer, Reggie Watts - “F_ck Sh_t Stack” ANDREW SLOAN MUSICFESTNW Director, Onuinu - “Ice Palace”

 

Director and musician Q&As after the jump!

 

September 15th, 2011 - Rotture, Portland, OR After sleepwalking through a night and a half of slick, mismatched suburban rock of MusicfestNW, the scent G-funk spilled forth through the weathered slabs of inner SE's Rotture was like blood in the water for those of us begging...

September 15th, 2011 - Dante's, Portland, OR Alex Zhang Hungtai's desert-dwelling, sunburnt Suicide jams didn't really do much for me on his debut LP as Dirty Beaches, but the man's set at Dante's on Friday night of MusicfestNW was absolutely mesmerizing in a most bizarre and...